2015 Nov. 25: The best ‘black’ exhibition of the season

Photo album by Lebo Mashifane


2015 Nov. 19 Audience _9831


2015 Nov. 19 Audience 3_9812


2015 Nov. 19 Audience 4 _9857


2015 Nov. 19 Audience1 _9833


2015 Nov. 19 Audience3 _9828


2015 Nov. 19 Anele & Muholi _9783


2015 Nov. 19 Beauties _9843


2015 Nov. 19 Candice _ Audience _9895


2015 Nov. 19 Candice entertain_9907


2015 Nov. 19 Candice Nkosi _9873


2015 Nov. 19 Candice Nkosi _9871


2015 Nov. 19 Candice Nkosi _9873


2015 Nov. 19 Katz_9860


2015 Nov. 19 Lebo Mashifane & Friends_9797

2015 Nov. 19 Mancane dance_9921



2015 Nov. 19 Mancane dancing _9922


2015 Nov. 19 Mfundi & Muholi _9802


2015 Nov. 19 Miss T Menu_9854


2015 Nov. 19 Noncedo & Muholi _9787


2015 Nov. 19 Noncedo Anele Muholi_9788

2015 Nov. 19 Photographers1 _9870


2015 Nov. 19 Sicka & Christie _9810


2015 Nov. 19 Terra Dick_9805


2015 Nov. 19 Tumi & friend _9800

2015 Nov. 19 Yaya welcoming visitors_9851

Yaya Mavundla welcomed and thanked the Brave Beauties for their participation and courage…


Read and view photos from Somnyama Ngonyama series, currently showing at Stevenson Gallery, Johannesburg

19 November – 19 December 2015
4 January – 29 January 2016





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2015 Oct. 29: She sings A New Song

Theatre performance review by Lebo Mashifane

I feel the chill of “the winter rain”…no; the chills of a great performance as I become engulfed by Sibulele Gcilitshana playing the role of Thokozile in a  A New Song play written and directed by Napo Masheane, opened on Wednesday, 28 October 2015.

Sam Mathe – live theatre (The Sunday Independent, October 25 2015, p. 2) “A New Song will make history… when it becomes the first theatre production to be staged at the Market Theatre with a woman as a producer, writer and director.” 

This beautiful busy bee butterfly – yes, I said it, bee butterfly; has been locally and internationally active as a performer, publisher, executive member and founder of several items and she still breathes and bleeds for women empowerment.

I personally remember Napo as the voice that said “Whatever you want, wants you. Whatever need, needs you. Whatever you seek, seeks you” (a poem she recited). As if she spoke directly to my soul and made me feel like I could grip a dream and have what is impossible, become tangible. She has returned to my attention, this time with A New Song depicting beauty and bravery to captivate my soul, skin and site. One woman, one face as the emphasis of their concept that every woman is different even though they have struggles and successes.

Four black women are “domestic workers” to lonely white women. Napo could have her own way of describing it perhaps. Themi Baleka who plays a role of Bantu,a helper that looks after a white-owned family house and raise a baby of the white-owned family to eventually calling the baby that she raised as “madam” as she now works for her. Bantu being the first to “comply” to the passbook system yet eventually reaches her demise. These black women carry different domestic struggles from their homes to their “madams” homes. By “their home” I also consider the home of their core, their hearts – their hearts’ desires and their hearts’ destructions.
They thirst for freedom, liberation from racism and sexism.

The portrayal of black heroines who fought to death in the 50’s in South Africa. They fight for their rights no to carry pass books/ “reference book” (a barcoded booklet from the home affairs department issued to the black citizens). The guts of a brave and bitter black woman make her the leader of the Congress movement that eventually makes her an independent free woman. ‘Sbindi uyabulala, sibindi uyaphilisa’ (a Zulu saying translated to bravery you kill, bravery you rescue).


Lebo Mashifane, featuring in Faces and Phases series. Photo taken at District Six, Cape Town, 2009

Lebo Mashifane, featuring in Faces and Phases series.                    Photo taken at District Six, Cape Town, 2009

“Sometimes silence is the best conversation”. “Sometimes silence is the only weapon”
are the words of not a black, nor a white woman, but an Indian woman who plays a discreet yet dense role in the play.

The intense feeling along with the astounding lighting and music that includes Congo drums made me quiver and chant to “Mayibuye iAfrika” (Africa must return to its rightful owners – as the character Thokozile well defines the Zulu phrase). A fusion of images displayed from an overhead projector, words, emotions, acting, dance and music that gives one the shivers.

I cried tears of joy when I read that the main theatre at The Market Theatre is changing to John Kani Theatre in honor of the great legend of South Africa. It is paramount to honor our pioneers while they are still alive; unlike nonsensical practices of honoring them when they are dead whereas opportunities availed for them to witness their commemoration.

Let Africa return to its rightful owners. Since even street names are changing in the country, perhaps in the near future even The Market Theatre could be renamed… maybeeee Gcina Mhlophe Theatre!!!



Previous by Lebo

2015 Jan. 17:  My Durban virgin-ity breaks


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2015 Oct. 20: Funeka’s New York visit

Where:  Brooklyn, New York
Visited: Isibonelo/ Evidence exhibition at Brooklyn Museum
Photos by Zanele Muholi
Camera used:  Canon 6d with 85mm lens @f2.8

2015 Oct. 20 Funeka & Lerato_7438

Two Faces and Phases participants, Funeka Soldaat and Lerato Dumse

2015 Oct. 20 Funeka Lerato & Muholi_7467

2015 Oct. 20 Funeka next to Statue of Liberty_7459

2015 Oct. 20 Funeka Soldaat _7451

2015 Oct. 20 Funeka Soldaat_7439

2015 Oct. 20 Funeka Soldaat @Brooklyn Museum_7454

Soldaat standing in front of 60 Faces and Phases (2006/14) portraits installation…

2015 Oct. 20 Funeka Soldaat_7449

Related links

2015 May 9:  A Review of Isibonelo/ Evidence I


Breaking the silence


Zanele Muholi’s visual activism “Isibonelo/ Evidence” at the Brooklyn Museum

Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

2015 Oct. 18: “I reminisce about her”

by Balekane “TK” Moloi

As a 27 year old woman growing up in the dusty streets of Duduza, a small township in the eastern wing of Johannesburg, just outside Mpumalanga province. I had a life some would say was an average upbringing, when considering the family history and background. I grew up in a large family, with neighbors who had the spirit of Ubuntu and togetherness in their hearts. I learned from a young age what it meant to be part of a community, which cared for their own as family. I learned what was the true meaning of the saying, “it takes a village to raise a child.”

I am the fourth of five children who were raised by a single mother. Life was not easy most of the time because my mother was a raising us with no financial support, only the moral support of the neighbors from time to time. She had the burden of raising us the best way she possibly could, feeding five mouths three times a day, putting clothes on our backs and keeping us warm in harsh cold winter. We lived a four-roomed shack, which also cost her money that she did not have enough of.

I have an older brother and sister and a younger brother who is seven years younger than me but looks older because of his lean tall structured body and not to mention his handsomeness. I was treated as a princess when I was younger by my older siblings, especially my sister who was my mother’s first-born child. She practically raised me as her own child until she passed away due to AIDS. When she fell ill my family tried by all means to make the heartache easier for me, they thought it would break me into pieces but miraculously I pulled through though it was not a walk in the park.

Her passing took its toll on me. It felt as though my soul was buried six feet under with her decaying body from all the bedsores she had developed during her last stages with the disease. Although its still hard not to cry when I reminisce about her and the unconditional love she showed me through the glorious years we had together. I gather strength and console myself with the promise that I made to her to always love and protect her daughter who is now a beautiful 15-year-old young lady.


Balekane TK Moloi, Duduza, Johannesburg, 2013

Faces and Phases portrait of Balekane TK Moloi, Duduza, Johannesburg, 2013

I remember when I was about six or seven years old when my mother bought me a Barbie doll with a matching kitchen set, it was the first and last present I ever got for Christmas. To me it felt as though she had bought a wrong toy as I was used to playing with boys toys, and the whole set was lost in less than a week. Growing up in my neighborhood was an adventure everyday especially during school holidays. We used to play in the dark streets until way passed our bed time and we would even miss a bath or two at times because we would be so tired from all the running around the whole day. One would pass-out during supper, those are days I would go back to any day. Except for the spanking we would get from time to time, for taking a walk to the local dumping site to find “treasures” for ourselves. To adults they were meaningless junk. During summer time we would go for a swim in a nearby pond that would fill up when it poured hard the night before, we used to call the pond “ikofi” because of its muddy color after we dived in.

When I was in Grade 2, that April my baby brother was born. Just like any other 7 year old I resented him for taking my place as the baby of the family. As time passed he grew on me and made me melt like ice on a hot summer day. The thought of being an older sibling to him put me at ease. When I was 9 years old my mother took me on vacation and the destination was Soshanguve, in Pretoria. That was the best trip I had as a child because when we came back home, I had all the bragging rights. I was the only one who had been on a train.
At 13 years old when I was in my eighth grade I had my first crush on someone and to my surprise it was on my math teacher because she was a beautiful creature. All the boys in our class would talk about things they would do to her had they been given the chance. The thing that worried me the most was that all my female peers had crushes on male teachers and then started to ask myself what was wrong with me?
Why was I feeling that way about another person who was just like me? I learned to understand the reason behind my feelings in the years to come as I grew up and understood myself. My crush and I became like sisters as the feeling was mutual, but I lived as one of her learners and she gave me the attention I longed, that made her more of sister than a potential lover. We would talk about anything during our lunch breaks at school but I never mentioned my infatuation I once felt for her because it was rather embarrassing to me.

I never understood at that time why I was feeling this way about other girls who were older or the same age as me. Thokozile Mashiane groomed me throughout my high school years and ended up encouraging me to take on a challenge of studying physical science and pure math, which was not everyone’s cup of coffee amongst my peers. High school was bliss until I had a major setback in my matric year. About two and a half months before I was scheduled to write my preliminary exams, I became critically ill.

It was around seven in the morning when I woke up with a splitting headache. It felt as though my head was smashed with a five-pound hammer. I had promised my mother that I would help her prepare our Sunday lunch, but then she suggested that I go back to bed for another hour or two and she would wake me up when she starts preparing the dessert. When I woke up my feet felt as though they were placed in a bucket of ice, my body was aching with pain and my fingertips were almost grey. However those were the least of my worries at that moment, because I needed the restroom faster than you can say “busting bladder’. As soon as I tried to raise my heavy head I realized why I was in such a need for the toilet. I had a drip connected to my arm and I was at a hospital, a place I wouldn’t willingly go to even if someone paid me a million bucks.

I was still dazed when a familiar face walked in, it was my aunt, Nomasonto Ntuli, and she helped me to the toilet just in time, before I could create my own mini dam. She then went out and came back with more familiar faces that I recognized as my uncles, aunts, older siblings and cousins. I remember the first words I could utter were, ”Am I dying?” and they all bust out with laughter and tears before answering, “you almost gave all of us heart attacks”.
Later that day I was discharged to go home because the medical team could not explain my being unconscious for more than four hours. They said I must come back for more tests the next morning. We went home and like any typical black family my house was full of people, it was a though we had a traditional ceremony that morning. Neighbors, my immediate family and friends from around my hood all came. A week passed and I did not go to school because I had migraines and suddenly one morning I woke up with a loss of sight. I had gone completely blind over night and unable to lift my own eyelids. We thought it was because of the headaches but we had not expected what happened next.
Over the following couple of days I woke up without the feeling of my legs, they were all wobbly and felt as though they were ripped off from my abdomen. I told myself they are probably cold, so I must go out of bed. When I put my feet on the floor I could not feel the coldness of the floor, since I had lost my sight, I thought they were not on the floor. Then I did what any other normal human being would do when attempting to walk, I stood up only to fall flat on my face and my mother came rushing in because she had heard the impact of my fall. I could not see her facial expression when I told her I cannot feel my legs and I can’t walk. In my mind the only thing that was hovering was one word “PARALYZED”.
What consoled me was the fact that I could not see the terror in her eyes as she realized what was going on. Scared of what was to become of her once normal healthy, and promising child. All I could do at that moment was to hope that it would end soon. My older brother took the responsibility of suggesting that I see a traditional healer because all modern medicine had failed us completely. Like any desperate mother, she agreed to the idea.

They took me to bab’Ngwenya who worked on me for weeks and miraculously took me from my vegetative state to almost normal self. I wrote my preliminary exams with a walking stick and stiff legs, but at least I was on my feet and had regained my sight. By November I was fully healed, even though I was far behind with my schoolwork, as I had missed two months of the syllabus in my learning areas. A day after Family Day in December 2005 I went out that morning to buy The Star newspaper. To my surprise, I found my name amongst thousands of other people who had also passed matric. When my mother returned home from work the first thing I saw on her face was how proud she was. Although she did not say it in words, her look was enough for me. I was also proud of what I had achieved. I had done what most would not have done if they were in my shoes in the past seven months.

The following year I opted to take a gap year, but my older sister would not hear any of it, so I took a bridging course at Central Johannesburg College and moved to Jozi Maboneng. There, I met new people; some friendly and some not so friendly and that did not bother me at all. What mattered to me was the fact that I was an 18-year-old living in the big city that is feared by most for its reputation. I found the city to be just like any other. Life was not a walk in the park, I was learning how to play the piano and read musical scores composed by the likes of John Jackson, Robert Lockwood Jr. Louis Armstrong and Sam Taylor just to name a few.

Later that year I was invited to attend a project known as “Democracy Begins in Conversation” which was directed by the New York born activist Betsi Pendry. The project took place at Constitution Hill and we had the privilege of meeting the eleven judges and having a conversation with them about our constitution and the work that they do. We attended an 8 weeks course with the project and had a presentation of all the work we had done during the project. We showcased our photography skills that we acquired during our time at the Market Photo Workshop in Newtown. Paintings, plays, poetry and music were used to translate and interpreted our views on the constitution.

In 2007 I decided to study towards a degree and I ended up tackling a Bachelor’s Degree in education. I then enrolled with Tshwane University of Technology (TUT), Soshanguve campus. Again, I met new people and made new friends. The first semester was the hardest because of the change of environment and lifestyle but I managed to do well. Towards the end of that year my older sister had a massive stroke that paralyzed the entire right side of her body. From then on everything went downhill with her health. The ARVs barely kept her alive while her health deteriorated every time I went home for visits, which were more often than the previous year. Most times when I was home I could not bare to see her in that state, knowing there was nothing I could do to ease the pain she feeling and that I saw in her daughter’s eyes.

I often asked myself “how can God be so cruel, why her and not someone else?”
During that year I suffered a minor setback with my health, I had dehydrated kidneys but that was the least of my worries. I did not do well that year and to make matters worse, the National Student Financial Aid Scheme (NSFAS) financially excluded me from their fund and my appeals were in vain, they just would not budge. I had to make a plan for funding in 2008, without any luck from banks for loans I decided to drop out. My mother was against the idea and said she would make a plan to get the funding even if it meant they slept with an empty stomach every day. I tried by all means to convince her they needed help with my sister who needed caring 24/7, but my efforts were in vain yet again.

I went to the university clinic one morning because I was just not feeling well and was transferred to the hospital in Ga-Rankuwa were I was diagnosed with having depression. I would hide the medication when I went home because we had enough problems already and I did not want to stress my family even more. Life had turned into a “female dog” on me. I was anti-social and could not focus in my schoolwork as much as I would have liked. The only thing that could take away the pain was alcohol; it hurt more when I was sober.

One morning when I was preparing to go to class I got a message to call home ASAP so I did exactly that. As soon as heard my mother’s voice on the other end, l knew what she was about to tell me. I was not ready to hear it. She said my sister had passed on and I broke down and cried on the street pavements without any care in the world as to who was watching.
For God’s sake I was in pain; couldn’t they understand what I was feeling?
I gathered whatever strength I could to get myself home like my mother had ordered me to do during our conversation. I took the first taxi to town and then the first available train headed home. I arrived home to a house full of relatives and neighbors. As strong as I thought I was I broke down when I saw my mother on that mattress, what she had told me was true and irreversible.

On the Friday before her funeral a hearse pulled over at my doorstep and I was standing outside with my cousin. I asked her why was it here and she just said, “everything will be alright” and took me inside the house. When I saw the coffin being wheeled into the bedroom where my mother sat for the last two weeks it dawned on me that I had lost the only person that meant everything to me other than my mother. On the day of the funeral I was practically a walking, breathing corpse. Nothing made sense to me and all I wanted was for all those people to just leave my house and let us be. I mourned my sister’s death for about 4 years before I could fully accept that I would no longer seat and joke around with her, I would never see her beautiful smile again.

A week after the funeral I discovered that my mother has breast cancer and she was scheduled to go under the knife a week later.
Again I asked why must my family suffer so much?
Why were we being punished like this?
I had just lost my pillar of strength and now this. Life couldn’t be this cruel in a space of a month. That’s when I started to think that God was testing my faith in him. The day came and my mom was operated on successfully. However the chemotherapy was the worst that I’ve seen of my mom looking helpless, we pulled through and survived cancer.
By the end of the year I had massive amount of money that I owed to the university and had no idea how I would pay the debt because all the little money that was supposed to go to my studies had to pay for my family’s health. In the years to come I had to grow up and make means to take care of my family so I started looking for work and support my family, as the conditions were now not so good.

In 2011 I was awarded a scholarship at a local primary school as a sport assistant and the following year I was promoted to being a supervisor of 18 people. It was not child’s play but I managed to keep a sane head. It was a blast working in a different environment, learning brand new things every day. I worked at James Nkosi Primary School for almost three years before my contract was terminated in July 2014. Since then I have been doing temporary jobs to keep busy and support myself and help around the household.


May 18, 2014 Balekane 'Teekay's facebook photo

May 18, 2014 Balekane ‘Teekay’s facebook photo


All the events that took place in my life have made me the person that I am today and I do not regret all the decisions that I made throughout the 27 years of my life. I am proud to say that I am a proud black young lesbian woman living in the township.
I am thankful to the people who have supported me and groomed me to be a humble, respectful and loving person. Most of all, I owe much gratitude to the woman who gave birth to me, Nokusa Lydia Moloi, she is my everything I would not trade her for another parent ever.



Previous life stories


2015 Aug. 30:  Losing and regaining self love




2015 Aug. 28:  I have always wanted to enter a pageant




2015 Aug. 13:  Cheated out of a goodbye




2015 May 5:  My journey so far in life




2015 May 14:  “I’m happy living my life the way I am




2015 April 16:  My story as a Zimbabwean Transvestite




2015 Jan.3: I dropped out of the closet many times




Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

2015 Oct. 9: Muholi presents at the Penny Stamps Distinguished Speaker Series

Text by Lerato Dumse
Photos by Lerato and Constanza McKinstry

A total 360º is the best way to describe the change of weather that awaited Zanele Muholi and I when we arrived in Ann Arbor, Michigan (USA). Unlike the windy and wet Michigan that greeted us on September 29. 2015, Johannesburg was sunny and dry when we departed from OR Tambo International Airport a day earlier. The University of Michigan, Penny Stamps School of Art and Design invited Muholi to give a presentation as part of their Distinguished Speaker Series on October 1.


2015 Oct. 1 Penny Stamps _ Muholi screen _1062


True to its name and nickname of “Tree Town”, I watched through the hotel window, as trees moved violently in the direction of the wind. I packed my equipment bag, ready to walk to Michigan Theatre, where the event was to be held. Muholi was already there and had completed the technical setup; I also found a good spot to document the talk. About an hour before the presentation started, Stephen Warner, who works as a staff organist at the Theatre started playing music on the Barton Theatre Pipe Organ.
I was particularly impressed when he played Gabi Gabi, which is a South African song popular at weddings. Stephen continued blessing us with his calming music while the estimated 800 people who attended the talk started arriving.


2015 Oct. 1 Prof Marianetta Porter


Professor Marianetta Porter, who is a mixed media artist at the University of Michigan, gave a fitting introduction of Muholi and her work. She opened by saying, “to introduce Zanele Muholi as a photographer, is like describing an ice berg solely by its tip.” Prof Porter hailed Muholi as a storyteller, a biographer, an archivist, a translator, an educator, a champion of human rights and a visual activist whose work and life gives light to black LGBTI individuals in South Africa. Adding that Muholi is an artist of global magnitude, who has won numerous prizes.


2015 Oct. 1 Audience @Penny Stamps_6756


2015 Oct. 1 Steven _ Music_1071 copy


To break the ice after coming on stage, Muholi thanked everyone “for coming out tonight.” She then addressed the LGBTI people, their families and friends in the audience, telling them that it is okay. “It is not a crime to be, we did not give birth to ourselves, we are born by mothers and fathers might not be homosexuals,” Muholi continued. She gave some background into what motivated her to start documenting and told the attentive group that, “if you don’t see yourself in any magazine create your own because it is your life anyways.”


2015 Oct. 1 Muholi for Penny Stamps _6827


Before delving deep into her work, the activist provided context about the history of South Africa. Detailing how in 1990 SA had the first gay pride, adding that for the first time in 1994 all citizens had the right to vote, in 96 the government amended the constitution, which protects everyone’s sexuality, race, religion and traditions. Explaining that the major point for producing her projects is to make sure,“our voices and visuals form part of academic text and art spaces where they are hardly found.”

Her first treat for the audience was from an earlier publication Only Half The Picture, taken from 2003-2006. The first image titled Zol, was captured while she was still a student at Market Photo Workshop. In this self-portrait Muholi is seen smoking, she then explained that she decided to smoke paper for that photo, people often assume that she smokes weed because of her dreadlocks, while in reality she doesn’t smoke or drink alcohol. Muholi’s visual activism dates back to the early 2000s when she started doing research and documenting hate crime cases. She reminded the audience that she works as an insider in the LGBTI community.

The next projected series was the highly favoured Faces and Phases 2006-present which is a collection of more than 250 portraits of Muholi’s friends and acquaintances that identify as lesbian and transgender. It was inspired by Busi Sigasa a friend of hers who died at the age of 25. Muholi has dedicated the project to her [Sigasa] and many other young individuals who might not be in the pictures, but are striving to survive in the spaces where they live. Muholi elaborated that she returns to some of the participants and does follow up. It is also important for her participants have a name and surname as well as the location where the photo was taken.

Being 2006-present was the next chosen series. It is about intimacy and a bond between lovers. As the artist put it, “it is about that personal space we share we those we love and who make us feel sane when things are not going our way.”
Her aim with this particular project was to shift the focus a little bit away from the violence, because she wanted to talk about “the love that disrupts the perpetrator.


ZaVa III. Paris, 2013

ZaVa 2012-2014 is produced as she moves between paces looking at people and herself. The title derives from the first two letters of her name and that of her partner, Valerie Thomas. Muholi shared with the audience that she requested Valerie to collaborate in the project, in order for them to share their love, just like she has shared the love of other participants. “I convinced her that this is how I would like our grandchildren to remember us,” adding that this work is like letters to their grandchildren.

She closed with the 2013 wedding of Ayanda and Nhlanhla Moremi. Muholi revealed that most of her projects are done periodically; to make sure they connect to either heritage sights or special moments in SA history and beyond. She went on to say that she wants to ensure that she contributes to history, as a SA citizen. Muholi has documented a number of projects as a way of contesting that wrong myth that it is Un-African to be homosexual. Since embarking on this journey of documenting, she went back and forth looking at herself, looking at friends, looking at friends of friends, touching on intimacy, and looking at portraiture.

The talented artivist said, “It is a way in which we speak and confront those who dare not to believe that we are part and parcel of society.” Most importantly she continues to document because she wants to ensure that those who come after her have a tangible documentation as a reference point and for posterity.


Previous talks


2015 Sept. 2:  When Faces Meet in Gothenburg, Sweden




2015 Aug. 23:  Muholi and Dumse present at Light Work 




2015 April 30: “States of Visual Activism”



2015 March 16:  Response to Muholi – Artist’s Talk




2014 Nov. 17:  Announcement – MoMA presents two best South African artists



2014 June 17: Muholi’s Ryerson University (RIC) Talk




2014 March 12:  Photos from SF Jazz Center – Artist Talk




2013 Oct. 10:  The Artivist Talk visuals





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2015 Oct. 11: Continental African crew on last day of Fire & Ink conference

Photo by Lerato Dumse

What:  2015 Fire & Ink
Theme:  Witness
Where:  Detroit, US

Camera used:  Canon 600d with 60mm lens @ f2.8

L-R: Samiya, Rosamond, Dora, Muholi, Ola, Yvonne and Kagendo. © Lerato Dumse (2015/10/11)

L-R: Featuring Samiya Bashir, Rosamond S. King, Dora King,  Muholi Zanele, Ola Osaze, Yvonne O. Etaghene and Kagendo Murungi. © Lerato Dumse (2015/10/11)


More on Fire & Ink


Posted in Another Approach Is Possible, Creating awareness, Expression, Power of the Voice, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

2015 Oct. 6: So Proud of Soweto Pride

Photo album I
by Lindeka Qampi for Inkanyiso

When:  26th Sept. 2015

Where:  Meadowlands, Zone 2
Soweto, Johannesburg, South Africa

2015 Sept. 26 RAA + FEW banners_5960


2015 Sept. 26 Bakhambile & Fino_6108

2015 Sept. 26 Activists in Colors @ SP_6001


2015 Sept. 26 Activists in front_5975


2015 Sept. 26 Donna Smith @ Soweto Pride_6098


2015 Sept. 26 Ndofaya_6065


2015 Sept. 26 Deli & Jade_5953


2015 Sept. 26 Meadowlands Court_6083


2015 Sept. 26 Our Lives Matter_6130


2015 Sept. 26 Love Women Who Love Women_6113


2015 Sept. 26 Drum activists _5898


2015 Sept. 26 Lovey _5981


2015 Sept. 26 Marshalls @ SP_6090


2015 Sept. 26 Lovey at the forefront_5982


2015 Sept. 26 Moment_6047


2015 Sept. 26 Police @ Soweto Pride_6007


2015 Sept. 26 Marchers_6031


2015 Sept. 26 Marchers_6034


2015 Sept. 26 Pride messages_5949


2015 Sept. 26 Rainbow Activist Alliance_5961


2015 Sept. 26 Safe cities 2_6158


2015 Sept. 26 Resilient Lesbian Activist_6131


2015 Sept. 26 Safe cities group move_6140


2015 Sept. 26 Sweeto @ SP_6085


2015 Sept. 26 Safe cities group_6152


2015 Sept. 26 Soweto Pride messages_5929


2015 Sept. 26 Safe cities move_6153


2015 Sept. 26 We demand_5918


2015 Sept. 26 Virginia & crew_6102


2015 Sept. 26 Safe cities_6162



About  Lindeka, the photographer


2015 Sept. 12: ‘2015, the year of breaking my silence’




2015 Sept. 10: Lindeka Qampi nominated for 2015 Mbokodo Award



and previous Soweto Pride


2014 Oct. 8: Beautiful faces and kisses from Soweto Pride 2014


Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments