Category Archives: Robing

2014 Dec. 5: When black is so strong

… work in progress. Zanele Muholi working with Valerie Thomas. Where:  Belleville, Paris. When:  Dec. 2014 What:  Having conversations with inner self allowing to be seen without shame Why:  Because ‘races matters’ sometimes and gender is really ‘complex’ Period:  365 … Continue reading

Posted in Being seen, Between the neck, Body, Born by African parents, Coming of Age, Culture, Facial features, Gestures, Hair, Ihlombe, Naked, Portraits of the Self, Reflections, Relationship, Relationship with own body, relative, Remembering, revolution, Ritualistic, Robing, Self discovery, Self mutilation, Self recognition, Self-worth, Style, Subject of Art, Topless, Zulu, Zulu tradition | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

2014 July 15: “Intombi” – Photo of the Day

Title:  Intombi I … in collaboration with Valerie Thomas, Paris (2014)       (Re)inventing Aesthetic and (Re)imagining Meaning: (Re)creating Black Beauty By Bridget Ngcobo   Zanele Muholi, a black South African visual activist standing in Paris, France stands in … Continue reading

Posted in Artists, Arts, ‘freakshow’, Baring, Being Scene, Black bodies, Black Bodies of Silence, Black Queer Artists, Black Queer Professionals, Body, Body Politics, Brave, Breasts, Bridget Ngcobo, Choice, Claiming, Collaborations, Comfort, Cultural activists, Culture, Demonstration, Description, Details, Different positions, Disappointment, Discomfort, discourse, DNA, Education, Emotional support, Eyes, Feelings, Friendships, Grateful, Gratitude, Health bodies, Health matters, Heartbreak, Hearts, History, Hope, I use CANON, Interpretation, M(asked), My name is Zanele Muholi, Not Science, Owning our bodies, question of history., Reflections, Relationships, Robing, Self recognition, Shining abroad, Skin, South African Visible Arts, Stripped, Studio format, Touch, Valerie Thomas | 3 Comments