2014 June 22: An intimate portrait of Somalian trans-woman

by Abdi Osman

 

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Labeeb
is an intimate portrait of Sumaya, a Somali trans-woman.
The project consists of large-scale colour photographs, and a double-projection video. Some of the photographs are studio portraits where Sumaya sat for the artist; others depict Sumaya in her daily life. One video also documents aspects of her daily life, while the other portrays Sumaya performing a Somali ritual usually reserved for women. This practice is one that Somali women undertake when preparing for a special occasion or ceremony. The practice itself is a hybrid: traditional and religious. The double projection is meant to add texture and complexity to Osman’s attempt to engage with questions of gender, sexuality, and culture. The videos speak to the hybrid cultural expressions of Sumaya and other persons like her.
These images place African-born trans-people directly within the traditions of their African/black cultural heritage.

Labeeb-7

While posing questions concerning gender, culture, and religion, the videos examine how the body can move into new states of being. They are themselves “trans-ing” practices, crossing the traditional with the new all-in-one body. This work pushes back against claims made by some African leaders that there are no African queers in their countries.

Osman’s work puts African/black trans-people on record. It questions how we understand the various roles bodies play or perform, and which bodies or genders are understood to perform them—in particular, assumptions we make about female, black, queer, and trans bodies.

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About the photographer, Abdi

Abdi Osman is a Somali-Canadian multidisplinary artist whose work focuses on questions of black masculinity as it intersects with Muslim and queer identities.

Osman’s video and photography work has been shown in Canada and internationally in both group and solo exhibitions. He holds an MFA in Documentary Media from Ryerson University, and B.A. in African Studies from the University of Toronto.

Previous work has been supported by a grant from the Ontario Arts Council. His photographs are also in private collections and the Art Bank of the Canada Council for the Arts. Some of his work was in the year-long group show DiaporaArt: Strategy and Seduction by Canadian Artists from Culturally Diverse Communities at Rideau Hall.

Abdi was a 2010 artist-in-resident at the McColl Centre for Visual Arts in Charlotte North Carolina. Most recently in 2012, he was a fellow at The Interdisciplinary Center for Culture and Creativity (ICCC) at the University of Saskatchewan.

 

 

 

 

This entry was posted in Another Approach Is Possible, Art Edutainment, Art Is A Human Right, Photographs, Power of the Voice, Recognition, Records and histories, trans bodies, trans-ing, Uncategorized, Video, Visual democracy, Visual history, Visual history is a Right not a luxury, Visual Language, Visual Power and tagged , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

2 Responses to 2014 June 22: An intimate portrait of Somalian trans-woman

  1. Amy says:

    Where can one get/ veiw these pples art and documentaries that you guys talk about, i am based in south africa and would love to watch/ view some of this work…..

    And maybe share with others as well esp those that are still trying to find themselves

  2. Maxamed W says:

    Beautiful, I love your story Sumaya. You look gorgeous, keep it up!

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