2014 March 8: Photos from Brown Bois Retreat in Oakland, CALIFORNIA

2014 March 8:   Photos from Brown Bois Retreat in Oakland, CALIFORNIA

Bex Ahuja and Moof Mayeda

Photos by Zanele Muholi
Where: Oakland, CA
With:  Valerie Thomas and Selaelo ‘Sly’ Mannya
What: Brown Bois Retreat
Link to:
Brown Boi Project
Topic: How to increase Personal Communication Skills chaired by Mervyn Marcano

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Genesis Hernandez and Selaelo ‘Sly’ Mannya

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Mervyn Marcano

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Fayzan Gowani

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Mykell Hatcher-McLaurin and Camilo Cancino

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Lex Kennedy

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Bex Ahuja

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Lynette Pagan

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Rico Rice

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Pheng Thao

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Ki Jones

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Mar Martinez and Bex Ahuja

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Moof Mayeda

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Asher Kolieboi

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B. Cole

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Danya Mustafa

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Zachary Murray

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Camilo Cancino

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Erica Woodland

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Selaelo ‘Sly’ Mannya

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Mar Martinez, Elaine Yellow Horse, Ki Jones

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Timothy DuWhite

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B. Cole

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Deers


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Buffalos

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Bears

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Bears

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Eagles

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My Masculinity Is…

 

Name Quote
Rico Rice Courageous
Bex Ahuja My gift
Brandy Montaño Gentle
Asher Kolieboi fat, black and fine
Camilo Cancino unapologetic
Danya Al-Zaytawy Resistance
Mar Martinez My passion for justice
Moof Mayeda Playful
Mykell (see photo at the end for quote)
Lex Kennedy A radical tool for the eradication of ALL oppressions!
Timothy DuWhite Not a verb
Ki Jones Unapologetic
Zach Murray My masculinity helps
Pheng Thao Gentle
Fayzan Gowani Radical, beautiful, evolving, almost free
Elaine Yellow Horse Not an object
Moof & Bex Our masculinity is loving
Genesis Hernandez Tender
Mykell Hatcher-McLarin Unapologetically feminine
Lynette Pagán Poetic
Erica Woodland Powerfully balanced

That’s what members present had to say about their Masculinity.

Posted in Activism, Activists Act, Communication strategies, Crea(c)tive senses, Creating awareness, Cultural activists, Culture, Education, Emotional support, Empowerment, English, Evidence, Exchanging Queer thoughts, Experience, Exposure, Expression, Feelings, Female Photographers, Freedom of being, Friendships, Gender expression, History, Homosexuality, Human Beings, Networking, Our lives in the picture, Penetrating mainstream spaces, Photo Expressions, Photography, Politics of existence, Politics of geography, Politics of representation, Power in our hair, Power of the Arts, Power of the Voice, Presentations, Questioning, Questions & Answers, Readings, Recognition, Records and histories, Reflection, Relationships, Respect & Recognition from our community, Sharing knowledge, Society, Socio-economic, Speaking for ourselves, Textualizing Our Own Lives, Together we can, Transgender visibility, Transgender Voices, Visual Arts, Visual democracy, Visual history is a Right not a luxury, Visual Power, Visual Voices, Visualizing public spaces, We Are You, We Care, We Love Photography, We Still Can with/out Resources, We were (t)here, When Love is a Human Right, Women's power, Writing is a Right, Youth voices | Tagged , , , , , , , , , , , , , | 3 Comments

2014 March 13: SA Black Lesbian invades San Francisco

2014 March 13:   SA Black Lesbian invades San Francisco

Happiness written in those faces as Sly captured a ‘selfie’ with some members of the Lyric SF Youth

… that is Selaelo ‘Sly’ Mannya sharing knowledge with Lyric SF LGBT Youth.

Last night I met a group of students ranging between ages 14 to 18.
They are part of a collective called The Lyric SF Youth , which serves as a platform to educate LGBTIQ youth community about themselves.
I was honoured to meet a group of innocent, curious minds with an urge to learn about the world beyond theirs.
Misconceptions were clarified, myths rectified and lessons shared.

The positive turn to the Lyric youth visit is that it has equipped me with enough to start a similar program for South African youth.

Where:  San Francisco, California

What: Guest star/ Activist talk with Lyric SF Youth

Photos by Zanele Muholi

Camera used:  Canon 100d with 17-55mm lens, f-stop 2.8

So many questions were asked by innocent youngsters, for an example:

– How do you find other queer folks?

– Do mixed race people face any discrimination for being gay and mixed?

– What do you think about gayness being in the genes (science)?

– Is there any difference between ‘curative rape’ and female genital mutilation (FGM)?

– What do South African queer/ LGBT individuals do to protect themselves?

Each person was requested to introduce him/herself and tell if they have watched any film or documentary from South Africa or Africa.
The responses were disappointing, 10/11 never watched any film/ documentary made in South Africa or African continent.
But that was not a big deal, we learnt so much about the SF Queer history and also shared what we know from our shores.

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Jasmin & Sly_3447

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Previous by Sly

2014 March 8: Les Locks

and

2014 March 1: Journeyed 3 cities in less than 30 hours

Posted in Alternative family, Another Approach Is Possible, Archived memories, Art Edutainment, Art for Humanity, Art Is A Human Right, Beauty, Black Lesbian Graduate, Characters, Collaborations, Community Mobilizing, Community outreach, Contributors, Creating awareness, Description, Details, Emotional support, Exchanging Queer thoughts | Tagged , , , , , , , , , , , , , , , , , , , , | 5 Comments

2014 March 14: A video of Ayanda and Nhlanhla Moremi’s wedding

 

4 months later … marital bliss.

Ayanda Magoloza got married to Nhlanhla Moremi on the 9th Nov. 2013 in Katlehong.
They exchanged the vows at Kwanele Park in Katlehong.
Their wedding union was blessed by Pastor Tebogo Moema of Dominion Life Ministry Church.
Later that day the wedding proceedings took place in Vosloorus township at Nhlanhla’s home.

The video was captured by Nqobile Zungu, Themba Vilakazi and Zanele Muholi.
Edited by Malibongwe Swane for Inkanyiso Productions (2013)
Translated by Nomfundo Mgabadeli.

 

Ayanda & Nhlanhla Moremi’s wedding transcript

 

Pastor Moema: Corinthians 14:1 says; above all else seek love, love doesn’t seek its own, love seeks the other’s interest more than its own, love forgives, love has got understanding.

JOYOUS SINGING AND PRAISE

Andile: Hi, I’m Andile, …
Ayanda I wish you well in your marriage.

Nonka: I’m Andile’s bride maid and friend, I hope she stays happy and that her marriage walks hand in hand with God so that it will last forever, I’m happy for you girl.

Sister: I’m one of the bride’s maids, I wish my sister joy in her relationship as well as all the obstacles they still need to overcome that they trust in God because ‘Through God’s Grace anything is possible.’

Ayanda’s AuntAyanda we as your family love you, please respect Nhlanhla,
love each other and enjoy your marriage.

Thobeka Mavundla: She’s a beauty, a natural beauty.  All I can tell you is that you have opened up a path for us. We see you and we will hear from you how marriage is before we commit as well.

Ayanda’s Aunt: You have made a decision, not many make this decision, and these days people don’t get married they just live together. Today when they said the ceremony would start at 10am, my tummy started turning and I started thinking about your mother, my sister…if she was here…you have chosen who you want to marry and that has nothing to do with us. You and Nhlanhla must be strong till the end.

Pastor Moema: There is love above all, love remains and love is the greatest. Even if I can doll out everything, give to the poor, sacrifice even my own body, but if I don’t have love, the whole process is diminished to nihilism, it is nothing.

Vows: I take you today, as my wedded spouse, to love, to cherish, to celebrate you, in sickness, in good times, when we are bounding. When we do not have, I will always be by your side. I will hold you, lock you into my heart, as a bone of my bone, flesh of my flesh, my mate, my soul mate.
I say to you, I do.

Nhlanhla Moremi: With these rings, it’s a symbol of unification, remember at all times when you look at them, that I, Nhlanhla love you.

Pastor Moema: Father bless this couple, bless them to be one, let that which God has put together, let no man separate declare you today married spouses, we bless you.

Nhlanhla’s Mother: I am very proud, when Nhlanhla turned 15, like any 15 year old boy, Nhlanhla’s voice changed. Nhlanhla‘s movements changed, and became a boy. As I stand here before you, I want to tell you not to be confused because I am not confused. Nhlanhla is mine. Nhlanhla is not a lesbian, Nhlanhla is not lesbian, he is a gentleman. I have two sons and two daughters.

Zanele Muholi: History is to be made, for those who are allergic to photos, it makes no sense. It is nice to be together when people get married and are happy because most times, the community comes together only when a lesbian has been abused or killed.
We end up saying ‘Amandla. Amandla’ knowing very well that we are powerless to the one of us that has been killed.

Featuring in Zanele Muholi's Faces & Phases. Ayanda Magoloza, Kwanele South, Katlehong, Johannesburg, 2012

Featuring in Zanele Muholi’s Faces & Phases.
Ayanda Magoloza, Kwanele South, Katlehong, Johannesburg, 2012

Related link

Ayanda and Nhlanhla’s wedding photos

and

Lesbian couple seal their bond

Posted in Acceptance, Acceptance speeches, Activism, Activists, Activists Act, Adoring, African Queer Beauty, Another Approach Is Possible, Archived memories, Archiving Queer Her/Histories in SA, Art Is A Human Right, Art is Queer, Articles, As we are, Ayanda & Nhlanhla Moremi, Beauty, Black Butches and Femmes, Black lesbian wedding, Black Queer & Gifted, Blackness, Characters, Collaborations, Collectivism, Commitment, Committed, Community, Crea(c)tive senses, Creating awareness, Democracy, Details, Documentation; Filming; Photography; Community, Experience, Exposure, Expression, Faces & Phases portraits, Family, Family support, Fashion, Feelings, Gauteng, Gratitude, Homosexuality, I can't do it ALONE, Ihawu members, Independence, Inkanyiso crew, Intervention, Johannesburg, Know Your SA Queer History, Language, Lesbian Love Is Possible in South Africa, LGBT rights activist, Life, Life partners, Life Stories, Living by example, llobolo, Love, Love is a human right, Moments in herstory, Nqobile Zungu, Our lives in the picture, Photo album, Photo Expressions, Photography, Power of the Voice, Privilege, Professional black lesbians in South Africa, Proud lesbian, Public spaces, Queer community, Queer Power, Queer visibility, ReClaim Your Activism, Recognition, Records and histories, Relationships, Religion, Scriptures, Self acceptance, Sexual orientation, Sharing knowledge, South Africa, South African Civil Union Act (2006), South African townships, Textualizing Our Own Lives, To Have & to Hold book, Together we can, Visual Arts, Visual democracy, Visual history, Visual history is a Right not a luxury, Visual Language, Visual Power, Visual Voices, Visualizing public spaces, We Are You, We Care, We Still Can with/out Resources, We were (t)here, When Love is a Human Right, Womanhood, Women who have sex with Women, Women's power, Women; Voices; Writings; Education; Traditions; Struggles; Cultures | Tagged , | 8 Comments

2014 March 13: my love is electric

by Yvonne Fly Onakeme Etaghene
© 2013

 

my love
is electric
supernova/
written
in lightning across charcoal sky

my love
is a flower
forever in bloom
even in the dead of winter
underwater
or on pluto

my love is
turquoise breath/
dancing whispers that hold you
when I’m out of town performing my heart
for the world

my love is
trembling,
back arching,
aching hunger satisfied
wetness so consistent
you’re just gonna have to stop wearing underwear altogether

my love turns tears
into art installations
that perch on top of constellations/
my love melts shrapnel,
honors wounds,
turns battle scars into beauty marks

my love is a song
the extended mix
forever long
with a bridge that feels like ecstasy
and a melody that feels like flying

my love is the illest emcee
the fiercest freestyle
a dope haircut, fresh to life
designs that look like labyrinths
on the side of my frohawk/

my love is a shaved line thru my left eyebrow
cuz I’m gully like that
& that’s how Brooklyn holds me

my love has brunch
w/ frida kahlo
and nina simone
we be talkin
about how spectacular
our
love
is

my love is the prayer
before you make the request
the breakfast made before you wake up
the sunrise in your tea cup

my love is a ripe mango,
making love to your tongue,
flavors orgasming all over you
in just
that
bite

my love speaks in tongues
is bigger than eternity
turns a gaze into a vow
my love is a time traveler
is a scientist and an artist
makes a lifetime feel too short
of a time
to love
this love

my love loves
and my love loves love

my love stomps
is church
is a praise dance
dreams bliss/makes bliss/is bliss

my love is glass
and steel
delicate and strong
I bend,
I break/
but I don’t disintegrate

the way I love
is cosmic
otherworldly
beyond holy
forever patient
and forgiving
my love loves me
when the world forgets
how to

 

BIO

New York Gully.  Nigerian Soul.  Yvonne Fly Onakeme Etaghene is an Ijaw and Urhobo Nigerian dyke performance activist, poet, dancer, essayist, playwright, actress, video artist and mixed-media visual artist who was born with a mouth full of dynamite and sugarcane.  Etaghene engages a radical vulnerability and candor in her artwork and uses storytelling to build authentic human connection through passionate artistic expression.

Etaghene has rocked stages and melted microphones internationally.  She was interviewed by and was a Contributing Writer to None on Record: Stories of Queer Africa, a digital media project that collects the stories of LGBT Africans from the African Continent and the Diaspora.  She has toured nationally with both of her one-woman shows, Volcano’s Birthright{s} and GUAVA.

Etaghene is a mixed-media visual artist who has produced four solo art exhibitions.  In May 2012, Etaghene founded Sugarcane, an LGBTQ Of Color writing workshop based in the principles of June Jordan’s Poetry for the People.  She designed an eight-week curriculum and syllabus for Sugarcane that centers LGBTQ of color, immigrant and immigrant-descendant literary and performative voices.  She is a cook and organizer with the People’s Kitchen, a sliding-scale, local, organic, community restaurant project that engages, builds and nourishes community through shared-food events and cultural programming.  Etaghene is the founder of Kitchen Poems, where she cooks Nigerian food, African diasporic foods and creates culinary remixes that incorporates Nigerian flavors and cooking aesthetics.

Etaghene has written and directed 2 poem videos (“The First Time” [2010] and “i deserve somebody” [2011]) that marry film, poetry and music.  Etaghene has self-published 3 chapbooks of poetry: afrocrown: fierce poetry (2000), write or die (2004) and tongue twisted transcontinental sista (2006.)  She independently released an album of poetry and music entitled liberty avenue, nigeria, usa (2004.)   She has shared stages with Amina Baraka, Bonfire Madigan, Sharon Bridgforth, Staceyann Chin, Climbing PoeTree, Invincible, Las Krudas, DJ Kuttin Kandi, Lenelle Moïse, DJ Moni, Queen GodIs, Ongina Ryan, Hanifah Walidah, d’bi young & innumerable other brilliant magic-makers.

Her second album of poetry, Nigerian Dyke Realness, drops in 2014.  Etaghene’s first novel, For Sizakele, which addresses Queer African love, identity and inter-partner violence, will be released June 20, 2014.  www.myloveisaverb.com, www.youtube.com/AfrocrownDiva, twitter: @myloveisaverb

 

 

Previous by Yvonne

2014 March 12: Loving Us With The Fierceness We Deserve:

and

2014 March 12: Photos from SF Jazz Center – Artist Talk

 

 

 

 

 

 

Posted in 1981 -, Art Is A Human Right, Art is Queer | Tagged , , , , , , , , , , , , , , , , | Leave a comment

2014 March 12: Photos from SF Jazz Center – Artist Talk

 

2014 March 12:  Photos from SF Jazz Center - Artist Talk

“What is your perception of South Africa?
What exactly do you think we do there?…
We actually have an airport, we didn’t come here on an airboat.”
~@slypod

Photos by Yvonne Fly Onakeme Etaghene (in the audience)
Camera used:  iPhone 5c
Venue:  
SF Jazz Center
What:  Artist/ Activist Talk
City:  S
an Francisco
 

 

2014 March 1

Muholi presenting previous photos from ZaVa series (2013) in collaboration with Valerie Thomas.

2014 March 12 Muholi Z

2014 March 12 Muholi in bed

Showing on screen is the new photo from ZaVa series (2014), San Francisco…

2014 March 12 Val Z Sly Dominic

Previous by Yvonne

2014 March 12: Loving Us With The Fierceness We Deserve:

 

Posted in 12th March 2014 at SF Jazz Center, Archiving Queer Her/Histories in SA, Art Edutainment, Art Is A Human Right, Art is Queer, As we are, Beauty, Black & White, Black Female Body, Body, Body Politics, Crea(c)tive senses, Creating awareness, Gender expression, Visual history is a Right not a luxury, Visual Language, Visual Power, Visual Voices | Tagged , , , , , , , , , , , , , , , , , , , | 5 Comments

2014 March 12: Loving Us With The Fierceness We Deserve:

Reflections on Zanele Muholi’s talk @ Impact Hub Oakland
by Yvonne Fly Onakeme Etaghene 

“I’m a visual activist.  I prefer, or want, to think that what I’m doing is activism using visuals as means to articulate my many issues…Activism, activism—to be heard, to be respected, to be recognized, to be counted in history…
This is my work.”
~Zanele Muholi

I’ve known Zanele since 2009 and have loved her work since then.  Reveled in the wonder every time I encounter her work.  I want to find a way to bring you into the room.
As Zanele shared her work with us at Omi Gallery/Impact Hub Oakland—as a Nigerian dyke, I was being seen in ways that I don’t get seen everyday.  The poems I be writing, the verses I be rocking on stages—all were before me in her photographs.  Even though those stories were not mine, somehow those photographs made room for me to be and breathe.

Zanele had a conversation with us and shared her current work “Of Love and Loss”, a photography series which documents African lesbian weddings, funerals and photos of her and her girlfriend exploring their love and relationship.
She also screened a documentary ‘We Live in Fear’ in which  she collaborated with Human Rights Watch, which explores her visual activist work in South Africa.
I strongly suggest you watch it if you haven’t already, it’s brilliant.
I love that she told us the names (first names and surnames) of the people she photographs, who she calls participants, not subjects, whose stories she shared with us with care and respect.

I felt the fullness of these images and stories filling the room.  That these people who are so often reduced to one-dimensional subjects in the limited imaginations of non-Africans, and some Africans too, have faces and names and make jokes and wear cute shoes.  It was a gift to get to hear their voices and see the expressions on their faces.  And in seeing this, the vibrant presence of these stories made it clear what is missing from so much of the conversation of LGBTI Africans—what’s missing are Queer Africans speaking for themselves.

It was not always easy to sit inside my skin as we listened to Zanele share about her work.  It was not easy to hear about the brutal rapes and murders of LGBTI people in South Africa.
I wanted to turn off.
Turn my heart off.
And I wanted to just weep.
Being an African dyke, a South African lesbian, a Queer African is not something that can be oversimplified according to western, queer, activist standards or by hatred cloaked in religion—these identities, these lives we live cannot just be reduced to someone else’s judgment or to the pain we survive.  We are more than just the pain we survive.  Because there is laughter and magic in us.  There are crushes and love.  There is getting our hair done.  There is creating queer family.
There is this beautiful art we make.  And keep making.  And keep making.  Part of what is so astounding about Zanele’s work is that she shows us the pain as well as the beauty, both with such candor, you can’t ignore it.

The fierce tenderness of her gaze behind her lens is palpable.  And this was the balm to the pain inside me.  Zanele’s love and respect for African Queer lives feels like an embrace I didn’t know I was missing.  She is loving us with the fierceness we deserve.  I always wonder who takes care of the warrior.
The one who speaks up for us all—how do we support her? 
How do we raise our voices in unison with her? 
What are we doing on the daily to create the world we crave? 
Sometimes I think when people see a strong someone doing activist work, they relax a little bit—thinking, “oh, well thank God someone is saying something.”
I think that is an easy way out.
What can I do in my own way that is creating the world I want for us all?
That is a question I want each of us to ask ourselves daily.  We cannot let the burden of liberation work fall on the shoulders of the candid warriors amongst us.  We must join in the loving work of art making, of activism, of speaking in the mediums and spaces we can about what we can.

This is what Zanele and her work teach me.  And us.  We all have work to do.  We cannot sit back and let someone else speak for us.  Zanele’s work reminds me of my own fuschia-colored dreams.  Of my own mango poems.  Of my own guava dances and sugarcane verses.  I must give these to the world.  I must make the work that is stirring in my chest and share it with the world.  I must work alongside brilliant beings like Zanele so that all our voices are rising together.  This na collective thing we dey do o.

Looking at the breadth, breath, body and massiveness of Zanele’s work, I wonder when she sleeps.  I’m not sure she sleeps.  I know what it is to be driven by something greater than you.  She reminds me that that thing is what matters.

Zanele, thank you for loving us the way you do. 

Thank you.
I love you too.
We love you too.

(Zanele Muholi’s Artist Talk took place at Omi Gallery/Impact Hub Oakland, California on March 10, 2014)
SF Jazz Artist talk will be held on 12th March 2014 in San Francisco.

 

About the author

Image

Yvonne Fly Onakeme Etaghene’s portrait taken in Oakland, US on the 9th March 2014

Yvonne Fly Onakeme Etaghene is an Ijaw and Urhobo Nigerian dyke performance activist, poet, dancer, writer, actress and video artist.  She engages a radical vulnerability and candor in her artwork and uses storytelling to build authentic human connection through passionate artistic expression.

Etaghene is a mixed-media visual artist who has produced four solo art exhibitions and has performed internationally. She was interviewed by and was a Contributing Writer to None on Record: Stories of Queer Africa, a digital media project that collects the stories of LGBT Africans from the African Continent and the Diaspora.  Etaghene is the founder of Sugarcane, an LGBTQ Of Color writing workshop based in the principles of June Jordan’s Poetry for the People. GUAVA, her second one woman show, a multi-media performance about queer African identity debuted in 2013.  Her second album of poetry, Nigerian Dyke Realness, drops in 2014.

Etaghene’s first novel, For Sizakele, which addresses Queer African love, identity and inter-partner violence, will be released June 20, 2014. www.myloveisaverb.com, twitter: @myloveisaverb

 

 

 

 

Posted in Africans Abroad, Black Queer Artists, Commitment, Dyke, Evidence, Exhibitions, Experience, Exposure, Freedom of being, Friendships, Interpretation, Life, Life Stories, Love, Love is a human right, Mainstream media, Opinion, Our lives in the picture, Participants, Queer Africans speaking for themselves., South Africa, South African art, South African struggle, Speaking for ourselves, Women's power, Women's struggles, Women's Work, Writing is a Right | Tagged , , , , , , , , , , | 4 Comments

2014 March 5: Lesbian Femmes and Bags

 by Lerato Ntlatlane-Malibe

Like any other woman, my bag is my pride. I am not ashamed that I am a collector of handbags. Each of my bags represents my mood, from my leather work, “The Devil wears Prada” to my “I am easy and relaxed” bag.
One common thing though about these bags is the content inside. My bag carries my life, my survival tools.  My bag always contains: my cell phone- my tool for communicating with the world, my newspaper, radio, GPS – since I am the worst when it comes to directions.

It also contains my makeup purse. I can leave my house without make up on, but you never know what might happen along the way that might need me to whip up my magical look.  Make up always does wonders- and there is nothing that a red lipstick cannot solve.

Also in it are my shades – just like handbags, I am addict to sunglasses. I can never get enough of these. Shades in all shapes and sizes define me.

My wallet and coin purse – You just do not want to get stuck anywhere without money, or bank cards and a form of identification.

You will always find my Chanel perfume and a pair of flat shoes in my handbag. Someone said, “Life is short but heels should not be.”
But I know that every now and then I need to give my feet a break.

Seeing that my bag is so special, I decided to invade my femme friends’ bags to find out what five essential items they do not leave the house without.

Palesa Mothibe (21) Nail Technician from Johannesburg hides these in her bag:

Sanitizer and hand cream: because I come into contact with clients all the time, my hands need to feel soft always.
Gum/sweets: When I talk to clients I am pretty close to them, so my breath must be fresh and I feel confident when I know that it is.  Note pad and pen: I always use these to take down details of potential clients everywhere I go. Dry lips do not make a good impression especially in my field of work so I carry lipgloss.
My Blackberry notifies me of everything I need to be doing for the day, I get in touch with the world and yes I will not survive without the social space.

Pantsu Matjokane (40) and lives in Pretoria

Vaseline and lipstick make a great combination for delicious looking lips.
Facial Powder makes my face look radiant and wonderful the whole day. I carry facial tissue- in case I need to refresh my face and I also carry my perfume because I just love smelling good.

Borala Kekana (20) a student from Mokopane in Limpopo:

I carry a makeup kit because I always want to look good and up to date. I smoke so I have cigarettes and lighter, I don’t want to find myself walking up and down being day or night desperately looking for a smoke. It must be there when I need it. I carry a twin plug and charger because I just hate not being able to communicate because my battery died. I need to be in touch with the world always. I always have petty cash or my bankcard in my wallet.  I carry ID – you never know what can happen throughout the day, you might be in an accident or something- its important that I can be identified should something happen.

Nomali Mndebele (18) a student from Pretoria:

It is so hot and I can never be caught with sweat all over my face so I carry wipes.  I need to look good at all times and my lips are my priority so I carry lip gloss. I carry my cell phone to stay in touch with the world.  I need these to protect my eyes and sunglasses make me look good. In my purse- my money, my cards are all stacked up in it.

Kholofelo Lamola (26) a Toll Collector in Limpopo:

I cannot imagine my beautiful face without a lip gloss and my lips have to glow all the time. I like sunglasses, I feel good wearing them. At the moment I am looking for a better job and I cannot miss an opportunity for an interview. I also live with my mother and it’s just the two of us, so she must be able to get hold of me anytime she needs me. And I am a social network freak. In case of emergency like the rain pours on us, I need to be covered and with the Limpopo heat an umbrella is a must. I always carry an extra pair of earrings, in case I lose one of my earrings or I feel the outfit I am wearing does not match the earrings then I always have an option to change.

Now after a chat with these ladies, I understand why handbags are getting bigger and bigger. These are a must for every woman, unlike in the past where we carried a tissue paper and lip ice only when going out. Bags are not only stylish they are essential, and coming to think of it, these are just the essentials in our bags meaning there is more. Femmes and bags are simply inseparable.

About the author

Lerato Ntlatlane-Malibe is writer and the founder of Divine Image– an organisation that focuses on spiritual development of the LGBTI community in Mokopane, Limpopo.
She is married to Lebo Ntlatlane and both are parents to their 11 year old daughter.
Apart from her passion for writing and being a voice for the voiceless, she is also a law student aiming to specialise in human rights.
She was a columnist for the Rise n Shine newspaper for two years, writing on issues pertaining to the gay community.

 

 

 

 

 

 

 

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2014 March 12: Talkabout – Gabrielle Le Roux and Thekwane ‘Bongi’ Mpisholo

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Posted in Activists Act, African Queer Beauty, Another Approach Is Possible, As we are, Beauty, Black Queer & Gifted, Characters, Collaborations, Collective, Collectivism, Commitment, Connections, Creating awareness, Johannesburg, Life, Life Stories, Living by example, Love, Love is a human right, Networking, Photography, Power of the Arts, Power of the Voice, South Africa, Textualizing Our Own Lives, Visual Arts, Visual democracy, Visual history, Visual history is a Right not a luxury, Visual Power, Visual Voices, Visualizing public spaces, We Are You, We Love Photography, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

2014 March 8: Les Locks

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Portrait of the Self, Sly…

by Selaelo “SlyPod” Mannya

My name is Selaelo, affectionately known as Sly, the Pod, Poddle Puff or whatever else takes the fancy of the woman I am with. I’m 26 years old and work as a strategist in digital advertising. I am also head of the social media department of a political party. If I had to classify myself for a medical discovery, I would say I am androgynous.  I loathe the idea of being boxed in by self or others

In December 2007, I rocked a big afro, the Pitch black type of big. My grandmother did not like it because it would get untidy from the dust in rural Polokwane. I was born and bred and will be buried in Polokwane and so things like dust do not bother me. Village folk did not see a dusty fro, they saw it as free hair color.

One day my cousin and I were bored and she decided to give me a head massage so I obliged, it was a win for me!! She decided to go ahead and twist my hair, to actually start the hair locking process. I will forever be grateful to her. She reminds me with each inch my hair grows. My hair is her project.

Given the location where my hair was started, little did I know that I was further confirming my lesbianism.
I’m tall, medium toned, with dreadlocks. I’m certain that you can write a list of 5 lesbians who fit that description. Apparently it’s a typical lesbian look. It’s the easiest look to go for because it looks good on a lot of people. I do not know if I am good looking or if my hair accentuates my features, but you will be the judge as beauty is in the eye of the beholder.

My hair is fairly long, and besides my cousin’s foundation, I have had the same hairdresser since I started my locks.   I am very anal about people touching my hair. He charges me R150 for a wash and re-twist. I try to keep to my 2 week hair twisting interval.
Gift, my hairstylist, gives the best head massage.
The only problem I have is that his crotch rubs against my shoulder when he moves during the twisting process.

I would lie if I were to say I’m not my hair, I mean why else am I so attached to it. Besides, my hair has been the only consistent thing in my life. It is stuck on me, therefore stuck with me. Ok, maybe that sounds like a description if a psychotic, abusive relationship. And I don’t want to rip my soul to pieces by making a statement with my hair. It will be misunderstood anyway, so it’s more of a fashionable one than a deep rooted, heartwarming, poetic one. So I answered a few questions about my hair. Check below.

1.     Ever met anyone who likes YOU but not your hair. 

Who hasn’t? I work for a political party, and so when I am at the adult table, I have to contribute to the conversation to curb the idea for those who might assume I smoke weed.

2.     Are you defined by your hair 

It is a part of me; it is part of my package. Others may define me by my hair, but my hair has no voice. It is like wearing a watch. Some may assume it is to tell time, but I might just be wearing it as an accessory.

3.     What would happen if you cut your hair?

I would die.

4.     If there was a death in the family, will you be forced to cut your hair? 

Not at all it would be unfair to end a 8 year relationship over the end of someone’s life, which is natural to our natural timeline.

5.     Does your hair interfere with your sex life ( for example, when going down on her)

Which hair are you referring to? The hair on my leg doesn’t interfere unless the woman I’m with has a leg fetish, for which she’d have to look forward to having hair stuck in her teeth. As for my pubic hair, which is always kept at a reasonable length, which is, less than a centimeter. I normally tie by hair during sex, this means I need to add an extra 20 minutes to the session to look for a hair band and retie during thrusting because the closer to cuming we both get, the faster and aggressive the movements and the higher the chances of my hair coming loose.
But I tend to make love to women who love it untied. In fact, they untie it during sex. I don’t know how the tingling caused by hair on flesh contributes or heightens the sexual sensation.

6.     Would you wax your pussy, but not cut your dread locks?

Yes, not entirely though. I do not piss with my head. So the comparison is unjust. These are two organs with two different functions, even though they are synched.

7.     Do people’s perception of you change when they realize what hair you have.

Yes they do, Rastafarians and the girl used her dreadlocks to traffic drugs fucked it up for all of us. The other breeds an untidy, weed smoking, no meat eating perception and the other grants me stares and prompts people to touch my hair, just to make sure I’m not a drug mules.

8.     Does your hair make people assume you are Rastafarian?

Hell yes, and no I don’t mind the assumption. Rastafarians are social beings, so I get high fives, ola rasta pleasantries because of my hair.

9.     Who has the best dreadlocks according to you? 

(Dreadlocked icon)

Tracy Chapman. Her soul and music influenced this choice.

10.  Are your locks African rooted?

No, they are head rooted.

11.  Do you plan on ever cutting your hair?

Never, but I think my family is waiting for me to die so that they can chop it off.

12.  What is your cut off length that you plan on growing your hair to?

As long as gravity can pull it.

13.  Do you ever get disregarded because of your hair?

A lot, until I speak up and everyone that was paying no mind to me, realizes I’m very smart.

14.  Are you spiritually connected to your hair?

Oh yes I am. It has taught me a lot about consistency, beauty and patience.

15.  Does your girlfriend like your hair?

Women I sleep with love my hair.

16.  If a girl you like asked you to cut your hair, would you?

No I would not. My hair is part of the package.
There is no Sly without the hair.
There is a lot to me than my attraction to women.

2014 March 10 Sly & Friends

Sly in a red jacket featuring some members of Vintage group in the background

 

Previous by Sly

2014 March 1: Journeyed 3 cities in less than 30 hours

Posted in 1988 - present, 7 years of lock-ing, Adoring, Another Approach Is Possible, As we are, Before You, Black Female Body, Black Queer & Gifted, Power in our hair, Women's power, Writing is a Right, Youth voices | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

2014 Feb.14: A video of Prince Claus Award Ceremony at WAM

This is one the video archive from the event that took place on the 14th Feb. 2014. More than 200 people were in attendance…
Muholi would like all those who gave her support from the start till present.

Documented by Neo, Themba, Thula.
Edited by Malibongwe for Inkanyiso media.

Posted in Collectivism, Commitment, Community, Community Mobilizing, Community outreach, Contributors, Crea(c)tive senses, Creating awareness, creative artist, Documentation; Filming; Photography; Community, Empowerment, Experience, Exposure, Expression, Female Photographers, Freedom of being, Friendships, Our lives in the picture, Relationships, Response, revolution, Sharing knowledge, Stevenson gallery | Tagged , , , , , , , , | 1 Comment