2019 March. 29: Day 1 of Documenting teachers in KZN

A review by Thobeka Bhengu

Shooting time: 9am-6pm
Document Mam Futhi at school and in the classroom.
Interviewing the Principal
Interviewing a Colleague
Interview 2 students: N.B provide consent form.
Document Mam Futhi after school and at her home.

The plan for the first day was as follows: Shooting at Thamela Primary School in Umlazi and at Seaview Durban. The team of three Lebo Mashifane, Malibongwe Swane and Thobeka Bhengu from Inkanyiso media arrived at Thamela Primary School at 9 am in the morning to document a prominent and dedicated educator Ntombifuthi Phewa. Thamela Primary School was established in 1971 at the time it was named Malukazi. The school currently has 2579 learners, 80 teachers and 8 food handlers, 3 cleaners and a security guard. The school has an active fundraising committee and governing body that helps with acquiring sponsors and raising funds for the school. The schoolyard is clean and seems to have adopted a very strict regimen on cleanliness and no littering.

05.03.2019 Day 1. Thamela by Malibongwe

The documenting team grouped themselves into two groups. One group focused on capturing establishing shots around the school and the second group focused on capturing Phewa in the classroom on a normal school day. Phewa is natural in the classroom, playing the role of an educator, parent, dedicated teacher and an example of a disciplined educator. This was supported by the interviewees who spoke about Phewa and her experience in teaching primary school learners.

After setting up in a mobile classroom next to Ms Phewa’s classroom, we were ready to start with the first interview. We firstly interviewed Mrs Buyi Sabela, an HOD at Thamela Primary School and Phewa’s colleague. Mrs Sabela has worked at the school since 2005. Sabela expressed her concerns about the relationship between parents, the school and parents who take little to no interest in their children’s education and the state of schools at disadvantaged communities. She also highlighted the contributions in the form of different donations from organizations and the government and the help provided by the government feeding scheme, which has been ongoing and is helpful to many learners. She spoke of the lack of certain important things such as a school hall for meetings and usage by students, the hall was converted to classrooms. She also mentioned the importance of having a library and how students would benefit from having a library and assistance in tightening security in the school.

05.03.2019 HOD interview by Terra

The second interview for the day was Aphile Madela, a Grade Seven learner who talked about her experience at Thamela Primary School and spoke highly of Ms Phewa, eventhough she has never been her class teacher. We also did a quick interview with a second student Ayabonga Buthelezi, another Grade Seven learner, a very articulate young woman. Who expressed her love for the school and how the school needs a library so learners can improve their skills in reading and writing.

The final interview at the school was around 16h00 with the principal of the school Mrs Nana Masoka, who started teaching as an HOD at Thamela in the year 2001 and became principal of the school in 2013. Masoka spoke of the number of staff members in the school, the history of the school and the importance of the gender quota when they hire staff at the school. After briefly speaking about the profile of the school, Mrs Masoka spoke on improvements and challenges in the education system as we celebrate 25 years of South African democracy. She expressed how the department of education’s nutrition plan has been of great assistance to the students, textbooks provided for learners, computer lab and government support that has helped the school. On challenges facing the school, she addressed the issue of how the funding allocated by the department is unable to cover everything but can cover some expenses to improve the school. Masoka highlighted some developments that the school needs, such as the renovations to existing classrooms, extra classrooms and a need for a school hall. The principal also talked intensely about the importance of respect and discipline which are pillars of the school and are constantly instilled in the school system. Behavioural change sessions are part of the school ethos but Masoka expressed how parents need to be part of the process and deliver on what the school expects from parents of the pupils.

05.03.2019. Futhi at Thamela by Terra

The principal ultimately spoke about Ms Phewa as an educator, a friend and a dedicated colleague with valuable expertise and experience in teaching. The principal arrived at the school in 2001 when Ms Phewa was already there and she was mentored by Ms Phewa. Ms Phewa shared her skills and methods on teaching and also teaching young people who struggle with their studies. She also mentioned how Ms Phewa is the only teacher at the school who is not sharing a class with other teachers as they are religiously paired.

The interviewees spoke highly of Thamela Primary School and the quality of education they are afforded at the school. All interviewees highlighted the importance of discipline and keeping a strong and healthy relationship between learners, teachers and the school. The school boasts of well-kept buildings and a clean yard, dedicated teachers, disciplined learners and quality education provided by the school. Phewa has been an educator for 26 years in South Africa. Her love for education and teaching was clearly visible in the classroom and in the way she articulated her experiences of the past 26 years. The principal of the school and the colleagues related that when they arrived at the school, Phewa was already a teacher and became a mentor to them. They detailed how she has an incredible skill for working with learners in general and learners who struggle with their studies. Her clearly untainted history of nurturing learners and being one of the most skilled educators made it easy for interviewees to talk about Phewa and her contribution to the school and the entire education system. Educators are usually overlooked and get little to no recognition for their tireless service and dedication. Educators are underrated and these stories will hopefully change this view about teachers in South Africa.


After an all-day shoot at the school, we drove to Ms Phewa’s home for an official interview. The idea was to capture Ms Phewa at home, as more than just a teacher but also as a parent and the head of her household. Phewa was born in Durban, eMbubulu and lived in Umlazi, P section. The family had to move from Umlazi in 1996 to Seaview due to political instabilities and violence between the ANC and the IFP. She has a beautiful home at Seaview with her family.. She has been at Thamela since 1994, she furthered her studies at Natal College of Education (Higher Diploma of Teaching), Toyota Teach ( Higher Certificate of Teaching) and at UNISA where she did her Bachelor of Arts and Honors. She passionately spoke about her teaching journey where she expressed her love for teaching and how teaching is a process where you contribute to the pupils and the community at large. She defined teaching as an all in one job where you have to be more than just a teacher and assume many roles to assist learners. Phewa echoed the importance of the parent, teacher and learner relationship and how the school ensures that this relationship is cemented with respect and love. As a final point, Phewa spoke on the challenges and achievements by schools and our entire education system as we celebrate 25 years of democracy. She spoke about how government social grants have assisted a majority of disadvantaged students even though others have complaints about the amount that is being received, but reiterates that the grant has helped many students. She also applauded the change of curriculum and that it has opened up for different teaching methods that assist students who are struggling and textbooks that are provided by the government. On challenges facing the school, she mentioned the issue of overcrowding and a need for a school library.

Ms Phewa is part of the 25 teachers that are currently being documented in Durban, KwaZulu-Natal as part of celebrating 25 years of democracy and giving educators a voice and recognition, they deserve. Inkanyiso team with the guidance of Sir Zanele Muholi and Muholi Productions has taken on a task to document these prominent figures and unsung heroes.

Photos by: Malibongwe Swane, Thobeka Bhengu and Terra Dick.

Previous links by Thobeka Bhengu:

2019 Feb. 1: Day 5 Review Photo XP Maseru (The final day of the experience)

2018 Dec. 18 Durban Photo XP

2018 Nov. 10: Unique Transgender Seminar in KwaZulu Natal

2017 July 30: My first trip to the United Kingdom (London)

Posted in 25 Years of Democracy, Community education, Education, Educational strategies, Teacher, Uncategorized, Women; Voices; Writings; Education; Traditions; Struggles; Cultures | Leave a comment

Vote me Art Seminars

Text by Phindile Madlala

Photos by Lindeka Qampi

TOPIC: Vote Me – Arts Seminars

VENUE: K- CAP Kwa-Mashu

DATE: 08/03/2019

TIME: 2:00 pm

  • This dialogue was aimed at developing viable structures within the Arts industry in different municipalities, government departments at national, provincial and local level – with the aim of finding solutions to combat chronically high unemployment affecting the country.
  • Representatives from different political parties, as listed below, were invited to address artists on how best can they could resolve challenges faced by various artists within the arts, culture and heritage sector.

The political parties’ panel was represented as follows by;  

 

Economic Freedom Fighters  = EFF B. Khoza
African National Congress = ANC Nomagugu Simelane
Democratic Alliance = DA Hlengiwe Shozi
Inkatha Freedom Party = IFP Councilor Mdu Nkosi
People’s Revolutionary Movement = PRM Nhlanhla Buthelezi 
African Christian Democratic Party = ACDP Joan Downs
Black First Land First = BLF Vusi Mhlaba

Bongani Mavuso, the Khozi FM presenter, was the moderator.

Brian Mhlongo, a political analyst was also in attendance.

The panel was given the following questions to respond to;

  • Why should the Arts community vote for your political party?
  • Is the Arts budget undermined?
  • How will your party prioritize the Arts and Heritage Sector towards addressing the country’s triple challenges?

Parties’ Responses:

IFP – Acknowledged that domestic artists weren’t being fairly recognized as compared to their international counterparts.

EFF–  Spoke of how local artists were being exploited by giving an example of say a white woman comes, haggles for a low price from the vendors, buys their works and exports the product to resell at high costs.

  • They felt the government needed to assist the crafts sector when it comes to packaging, marketing and pricing of their products in order to bridge the gap of exploitation.
  • Another contrast made was that of artists dying with nothing but recognition because they are underpaid and heavily exploited.  An example given was that of Ray Phiri vs Paul Simon. Mahlathini was another legend who died with nothing.
  • They stated that the government didn’t show any interest when it came to local artists.
  • There had to be plans in place for government to ensure that local artists are skilled and educated.

ANC– The ruling party defended its stance by saying the Arts sector wasn’t underimined, at the same time conceding that it received a minimal budge

  • They stated that they gave priority to programmes that tended to affect society as a whole
  • That they prioritized and offered a fair budget to important sectors that cover water, sanitation, infrastructure etc.
  • They denied that as the ruling party, they didn’t take notice of the artists as they have assisted in the burial of several local artists when their families failed to do so.
  • They pointed out that there was a policy that was adopted in September 2018, which outlines how the government pays local artists;  how an artist can go about cutting out the middlemen when it comes to markets and exports, etc
  • As a party, they believed in the standardized rate that would be agreed upon artists and employers.
  • They also said as a party, they had allocated grant in aid funds to assist in the development of art structures.

DA- They felt  that there was no bidding conducted when it came to international artists payments.

  • It seemed to them that international artists were the ones calling the shots by stipulating what their payments would be, while government did not offer any resistance.
  •  DA as a party did not agree to bringing in international artists and paying them fare shares.
  • They noted that the ruling party had no shame in saying that they bury local artists when they are dead because they undermined them while still alive, by not paying them accordingly.
  • Their vision for the arts sector was stated as;

– Investing in Arts regardless of age, gender and race

– Constructing more arts hubs/centres

– Skill development

  • They closed by sloganeering: One South Africa for All.

PRM– Stated that they believe in being in direct consultation with artists

  • They plan on building amphitheatres
  • They would ensure that the most vulnerable – black artists – are are not exploited
  • They would ensure that credit, recognition and payment is given where it’s due and gave an example of design work design of the Moses Mabhida Stadium being stolen from a black person as well as the Vodacom please call me campaign.

BLF – pledged that they would draft a new constitution and policies

  • They felt that the there was neither representation nor diversity at art centres because they were under predominantly white management. Changing that would allow more voices to be heard and seen.

The political analyst felt that the arts sector wasn’t being taken seriously as it was underfunded and undermined.  He noted that the budget allocation happened once or twice a year when there were certain events, as opposed to there being a set budget to cover all events.  Sadly the arts industry didn’t seem to be a priority at the moment, he noted.

  Artists also got an opportunity to make their grievances known;

  • They pointed out that officials within the Arts and Culture ministry and local municipalities didn’t seem to hold the pertinent qualifications for their jobs thus they lack fundamental knowledge which leads to  lack of interest and inadequate rendering of services.
  • They noted that festivals got a big chunk of the funding and only a few artists were selected and benefiting .
  • They felt that the budget should take into consideration other areas such as capacity building as opposed to just funnelling money to festivals
  • It was noted that municipalities took longer in drafting policies affecting or shaping the arts sector
  • Local government needed to be visible and interact with local artists and assist in the drafting of policies

Political parties gave closing remarks as follows;

ACDP– pledged to consult with respective artists within their respective spheres

IFP– noted that artists need to be supported by the Government in uplifting them by ensuring that they deploy MECs with relevant qualifications and skills in respective government departments

EFF– pledged to ensure that they create a directorate within the Arts and Culture ministry, that will directly engage with the artists

  • They would also ensure procurement personnel within the Arts Department have the qualification and skill to directly engage artists.
  • They pledged to safeguard against exploitation of the artist saying ‘nothing about the artists without the artists’

ANC– The ruling party didn’t feel that the MEC had to be qualified/have know how about a particular department because there are Heads of Department  (HOD) who are required to perform those duties.  They gave an example of MEC Bheki Cele not being necessarily a policeman but performing outstandingly.

  • They reminded those in attendance that the ruling party had done so much in the arts industry as they had funded arts centres and local films such as Uzalo

DA – stated that they would require that both MEC and HOD hold relevant qualifications for the Departments they are leading, so that they know what they are doing.

PRM– called for unity amongst artists so that they spoke with one voice.  They called for every mall to have a dedicated area for arts and culture

  • Encouraged artists to know their worth and their shares from Google

EFF– Urged government to ensure that all artists get free equipment, by way of a once off grant.

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Inkanyiso Crew out and about for Human Rights Day

By Lindiwe Dhlamini

As South Africa commemorates Human Rights Day on 21 March 2019, many people are happy it is a long weekend for them. For us Inkanyiso crew we had to be in different parts of the country and document the events that are taking place. Since the end of last year our team has been doing an education themed Photography Xperience (Photo XP) with young people in Primary schools. 2019 marks 25 years of Democracy in South Africa our founder Honorary Professor/Sir Zanele Muholi continues with their vision of educating Black children through photography. As part of that, they deployed us to different locations in South Africa to teach, share knowledge and skills and to exist in spaces foreign to us.

As a Johannesburg native, I had the pleasure of visiting a rural area for the first time in my life. I, Terra Dick and Mancane Selepe drove 13 hours in extremely bad weather conditions and potholes to attend to a collaboration between Inkanyiso.Org and Bavulele Ntsikhwe Mbokazi Arts Centre which operates from Kuyasa Primary School in Ngqwara village, Eastern Cape. Bavulele is an organisation founded by Charmain Carrol in 2013 but was registered in 2018 as a way to assist the local school where she resides. Charmain thought it would be a great idea for the learners she teaches to have exposure to other artists in the creative arts scene.

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Mancane specialises in dance and has been teaching the learners dance from 21 March 2019 when the holiday program started; this dance routine will be performed on the last day of the holiday program 25 March 2019. Terra is a Filmmaker and Photographer and is responsible for photography classes with the learners. I write mostly, so I was responsible for teaching writing until, we were confronted with a bullying situation during the first day and had to sneak with my other skill which is teaching learners about the dangers of bullying. Lynne Carrol is also an artist and joined us to assist with teaching fine art (drawing) giving the learners an all rounded creative arts program Xperience.

In other parts of the world, we have Lebo Mashifane and Pam Dlungwana who journeyed to Mexico, South America to attend a screening of Difficult Love a film by Muholi and Peter Goldberg. The film highlights the harsh realities of Black lesbians in South Africa in the age of rampant homophobia. The film was screened in Cineteca National Festival in Mexico coordinated by Liesl Theron who has been our liaising person with the South African Embassy and the Festival. Back here in South Africa, we have Lindeka Qampi, Lizzy Ziqubu, Phindile Madlala and Wendy Khumalo are currently covering multiple events in Durban, KwaZulu Natal. Wendy and Phindile are covering Phindile’s mothers’ unveiling ceremony. While Lindeka and Lizzy are covering Photo XP juniors in KZN, Bat Centre documenting a meeting by Izindlovukazi and other events in KwaMashu.

Back home in Johannesburg, Velile Majola who is currently observing the Yithi Laba exhibition is working with Naomi Maqhama a current beneficiary of Muholi who is studying photography Foundation Course at Market Photo Workshop. Naomi and Velile were tasked with attending the Human Rights Festival that was taking place at the Constitution Hill where famous artists were due to perform. The last crew members were attending an Art symposium in Bloemfontein where Muholi was in the panel. Thobeka Bhengu, Lerato Dumse, Akhona Hailele and Bajabulile Dhlamini went with Muholi to Free State, Bloemfontein. The team was documenting the symposium which was followed by LGBTI+ pride on the 23rd March 2019. As an organisation that archives content, we ensured that Human Rights Day was well documented.

PHOTO-2019-03-24-16-26-09

As we are all about to journey back home, we are happy to have had the chance to be part of archiving our history.

 

 

 

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2019 March. 24: African women

Her dark skin glows
Her light skin glows
African women are blessed with different skin tones yet they are all African.
African women come in all different kinds of size, shape, sexuality, yet remain beautifully African.
African women carry the heavy baggage on her head and walks with pride, providing for her family.
Her heart weeps yet she dances to the rhythm of the Drumbeat.
African women you are beautiful with your curves or no curves.
You are beautiful regardless of your profession or social status.
African women you were created to build a strong African nation.
A nation that carries beauty, love, unity, power and victory.
African women you are beautiful, keep your head up high and conquer.

@Aluncedo Cetywayo

 

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2019 March. 22: Plight and Reality

It is a Monday morning around 6am, my partner and I are taking our morning walk around Hillbrow and Braamfontein. I was very disturbed by seeing a lot of homeless people that filled the side ways of inner city like trash. This has been a disturbance to me in Durban as well. Where you have Mahatma Gandhi Road pavements turned into full bedrooms every evening.

The cement flooring is not ideal for anyone to sleep on, let alone without blankets and the open air breeze that is not bearable to one sleeping in a covered shelter, on the comfort of their own homes. This is very disturbing to see so many homeless people while approaching twenty-five years of freedom.

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Political parties are consumed with canvasing for the elections and busy dissing each other. Priding themselves in outlining what the opposition have not done, highlighting empty promises of the other without having a solid plan themselves on how to fix and fill the gaps. The real people on the ground are suffering having come this far as a country, It is very disturbing to be having such a huge number of homelessness and the government that is not even touching on that direction when outlining the plans of the future and deliverables.

There is always a plan for building RDP houses and every political party pride themselves in achieving those deliverables and yet not even one has a plan on how to manage them and ensuring that the desired goals are achieved to max. To date the more RDP houses being built, the more shacks pop up, which almost defeats the purpose. Due to lack of proper vision, management and planning, but rather the focus is on how many houses are built by one party to the other.

What remedy is in place for the destitute who fill the pavements, sideways and bridges of South Africa as this is not just a problem for Johannesburg and Durban but greater South Africa. Are they less citizens of South Africa or simply left out because they are likely not to be in possession of an identity document? Therefore are of no use to political parties because they are not eligible to vote.

DOES SOUTH AFRICA BELONG TO ALL OR ONLY RESERVED FOR SOME…

© BVL @GAUTENG
18.03.2019

 

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2019 March 22: Difficult Love in Mexico

by Lebo Mashifane

We are going to represent Muholi’s film screening of Difficult Love. Liesl Theron is expecting me and Pam Dlungwana in Mexico.

It’s Tuesday the 19th of March 2019, I am traveling to Mexico with Pam Dlungwana. This morning, when I woke up I checked messages from Liesl, she had managed to book new tickets and she was talking about how one day we could hopefully laugh about it. I didn’t understand until I checked the new flight ticket. Initially we were supposed to have traveled on the 18th but due to some misunderstandings our date changed to the following day – the new route freaked me out. The initial ticket route was much better, we were going to fly to JFK airport in USA then catch a connecting flight to Mexico after 3 hours. The new route was a total of 32 hours long and 3 different flights. I was a bit anxious and deducing from an article that Pam is also someone with travel anxiety got to my mind. Thanks to a cup of coffee, it made me gear up and take on responsibility of what needs to be done. 

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Photo by Liesl Theron

I met up with Pam at the airport – found her at the self service ticket machine and she seemed very calm. We got our tickets quick quick, we were done. I told her that I had to go fetch my luggage at the luggage storage at OR Tambo Airport and she was keen on coming with me. She is very mellow and together, I have never travelled with her but I guess her calmness was both pleasant and surprising as to how can we be so orientated as people who have travel anxiety. I guess we are healing and the thought of going with someone who is also not a stranger is helping. 

I had left my luggage the previous day when I flew from Durban to Jozi where I thought in a few hours I would return to be on route to Mexico. There is a luggage storage at the airport called A-teck they charge R70 per bag for 0-5hours of luggage storage and R80 for 5-12hours. When I got my luggage we packed the shopping list that Liesl had asked us to get, bottles of wine for the guests that will be at the screening and Mrs Balls chutney and Black Cat sugar free peanut butter for her. Ya ne, the things we take for granted for being in this lovely Afrika. 

When we got to check in desk they asked us for yellow cards and that we need vaccines – we didn’t know about this so they sent us to the airport clinic where we paid R800 per person for the vaccine. Thank goodness the clinic was empty so we spent about 15 minutes at the clinic and we were back on mission check-in. Everything went smooth then we went to chill at a restaurant for an hour before boarding time. It was lovely spending time with Pam and getting to know each other and our mental gifts. 

In the plane we sat on different seats, destined to Sao Paulo where we will connect to Lima then to our final destination, Mexico. I am amazed by the journey, it just never got dark outside. We left South Africa at 1:30pm to reach Sao Paulo in 11 hours time, Sao Paulo is 5 hours behind South African time. At some point I looked at the plane map on the screen – it’s scary we are moving at a speed of 890 km/h and realising that I am out of Afrika – I have left my home, the shape of the continent is still as lovely. 

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2019 March 21: Take me to Democracy

Take me to Democracy
Take me to freedom
Take me to a place of love with no pain.
Take me to democracy with no more tears.

25 years of Democracy
There’s tears on her face,
her face swollen taking punches from a frustrated man,
facing unemployment and poverty.
A man who fought a struggle to
democracy and got no victory.
He sinks his sorrows in a bottle of beer.
Black power came with greedy politicians,
the rich get richer, the poor get poorer.

25 years of Democracy!
Do you remember Marikana?
Women and children in tears
another black man dies fighting for financial freedom.
Did that not take you back to slavery?
Do you Remember Khwezi?
I am still called Delusional for reporting sexual assaults,
my sexuality still gets me stoned to death.

Save my country!
It is called a rainbow nation
yet these different nations can’t stand each other.
My black skin deprives me positions.
My black skin is forced to informal settlements.
My black skin turns me into a slave.
My black skin makes me a suspect to crime.

25 years of Democracy
I still don’t know equality.
The rich oppress the poor.
The white oppress the black.
The men oppress the women.
The heterosexual oppress the homosexual.
Can someone take me to
Democracy  where humanity comes before
gender, race, sexuality  or social status.

Take me to
Democracy, where humans embrace each other.

©️Aluncedo Cetywayo
19/03/2019

Posted in Relaxing is a blessing, Sisonke, South African Concerned Citizen, Take me to Democracy by Aluncedo Cetywayo, Thinking is a privilege, Uncategorized, Writing is a Right | Tagged , , , , , , , , , , , , , , | Comments Off on 2019 March 21: Take me to Democracy

2019 March 20: Leaving today to arrive yesterday

by Pam Dlungwana

 

pam dlungwana1

Its a day in a week, in a month, in a year of a calendar we recognise but Lebo and I can’t tell you what time it is or what day it is without asking someone else first. We’ve been on an Amazing Race episode of our own fashioning the past lord knows how many hours in total. Our latest joke is that we’re fast perfecting the art of leaving today to arrive yesterday. Between Johannesburg, Sao Paulo, Lima, and Mexico City we’ve laughed worked and slept, eaten and cheated airport WIFI non-stop. We’ve also become fluent speakers of gesticular sign language. It’s heartbreaking to meet so many people who cannot yet speak a word of Sotho or Zulu, I mean kanti kwenzakalani vele?

Our final destination was Mexico City, where Liesl, our heart and friend now resides and where we have a number of commitments in the oncoming days. Lebo is armed with their camera and me? Well, I have a pen and unstoppable gob.

There is no amount of preparation possible for the eye-gasm that is Mexico City.
Our hostess has played tour guide extraordinaire from the minute we touched ground and hasn’t paused for either us to catch our breath. I now understand it a bit better, her excitement that is, this is a city with an offering at every turn. Having enjoyed little, read: none whatsoever, time to prepare an itinerary for ourselves we’re glad we didn’t waste time on google searches that might have left us feeling like cancelling our return tickets altogether. That idea is still in production by the way, just saying.

We’ve landed to refine the plan for the next few days, unpack, and play soft catch up with Liesl as we walk the streets of a city committed to the tattoos etched on every façade. Mexico City has no ambition to hide her history, she has no time to sanitize the fermenting dissent of feminist, queer, and student activists and the slogans they scrawl on every available wall space. On our very first walk through the space we’re met with locals,  tourists from within the country and those of our stripe, we share pavement space with women protesting state silence and inaction on femicide, there are almost photographers everywhere and buskers own as much of the place as tourists jostling for a better Insta shot.

We’ve landed, are hungry, and this city has a time-worn apron and a swinging front door.

 

fshbty

Lebo & Pam on transit in…

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When Faces Meet … and travel

 

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Pam Dlungwana & Lebo Mashifane are both poets and writers also Faces and Phases participants. Photo supplied. (2019)

 

 

Previous by Pam

 

2013 April 30: this summer

 

 

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2019 Mar. 20: Struggles of uplifting our townships.

by Nonkululeko “Sicka” Mthunzi

Photos by Simphiwe Makhanya

Everywhere I go and everything I do I never forget where I come from, Daveyton eVutta, ikasi lama kasi. I’m from East-Rand, the last township before you enter Mpumalanga. East-Rand is where tourists never set foot, where voices are never heard, where talent is as raw and fresh as steak from a freshly slaughtered cow. A small township with less hope and huge passion. That’s my space, that’s my home, my very own humble beginning and I am not ashamed to even say I come from this place.

On the 28th of February I got ready for my trip to Cape Town with two of my colleagues Heaven Oldjohn and Simphiwe Makhanya. We took a late bus that departed Park Station, Johannesburg at 19:00. It was a long and fun trip because I got my team with me the love we have for each other is Godly its like we are in sync. We arrived in Cape Town the following day at 14:30 and found Lelethu “Ledza” Ntanjane (the event organizer) waiting for us with food which she called a Gatsby a kota from Cape Town that has fish, chips and some salad all inside a big roll.

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We got to her house, met her lovely mother, ate the Gatsby and helped her with what was outstanding with the event preparation. The townships we reside in are not peaceful places but we try to take out the good in them. Ledza lives in a place called Philippi which is next to Gugulethu and the crime rate that side is crazy. Going to the shops which was a 2min walk, we had to leave expensive belongings like cellphones, wallets etc. Imagine that kind of lifestyle and here I am thinking Joburg was bad, their shops and saloons have locked security gates. At first it sounded ridiculous but you know what they say when you get to Rome you do what Romans do. Did I mention how ridiculously expensive things are that side ahh angeke our people are being robbed daily, the cost of living in Cape Town is too high.

On the day of the event on March 2nd everyone was getting ready for the event, the stage was ready, the stretch tent was up, deco, the sound and the security on standby. Before I carry on with the events of that day I would like to take this moment to say in all the events and places I have performed Lelethu gave me the best treatment an artist can find in this country and I thank her. Back to the events of that day, the event was packed to a point that some people where standing outside the barricade gates looking beautiful and Queer. We also looked fly with our hand painted jackets.

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I was not feeling well before performing, I was not sure if it was being in a different atmosphere or the food and it affected my performance. After performing I went straight to bed because I couldn’t even breathe properly but apart from that the event was a success. I woke up early the next morning feeling a bit better. I could still hear people who hadn’t went home. As I was gathering myself I suddenly hear several guns shots, my head goes back to when I had a traumatic experience at Springs mall. We stayed in bed until all the commotion was gone. Later on while we were preparing to have breakfast Ledza tells us a gang of thieves flocked the event and robbed people. They took everything from phones, wallets even wigs yho Cape Town’s crime rate is on another level nje. In all this commotion a more sad part is that apparently a lesbian who was robbed decided to take the law in her own hands and followed the thieves and in that process she got raped and stabbed in her hand. Can we stop being superheroes especially when we are intoxicated because now we again have to deal with such issues when alcohol is involved.

I can imagine how Ledza felt after this; she had to deal with being bashed on social media by people saying how she doesn’t care about people’s security blah blah blah. I understand people who were there complaining and saying whatever but those I don’t get are those who where no were near the event and those who have never been to Philippi, or any township in Cape Town.

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Its easy to speak your mind when you don’t know the struggles we face living in a township. We didn’t choose to live in settlements where the amount of people who are hungry is bigger than the ones trying to make a difference with the little they have. Can we stop being judgmental dear homo sapiens. I mean if you see something wrong with what I have or doing come and fix it instead of being bitter. Let’s use our heads and hearts instead of our big mouths. One day ikasi lizobusa and I believe, I hope all of you people from the townships receive.

Posted in Black Queer Born Frees in SA townships, Crime, Crime rate, Daveyton township, Documenting realities of the townships, From Daveyton township with love, South African township, Townships, Uncategorized, Victim of hate crime, Violent crime | Leave a comment

2019 Mar. 18: Traffic tracing at the Yithi Laba exhibition – Week 1

By Lindiwe Dhlamini

A week after the opening of the Yith Laba exhibition I was asked to observe and trace the traffic of guests who come to view the show at the Market Photo Workshop (MPW) in Newtown, Johannesburg. Yithi Laba has drawn attention to many and the media has been following through since its opening on the 28th of February 2019. It is no surprise, after all, Prof/Sir Zanele Muholi, Bernie Searle, Ruth Motau, Neo Ntsoma and Lindeka Qampi know how to express themselves through photographs and this time they seem to have outdone themselves, the response from the public has been very impressive.

I first arrived at MPW on Monday 11 March 2019 at 09:00 to make sure the set up for a register is positioned and that I give myself enough time to settle in before guests start coming in. To my dismay, I was not expected to arrive on that day by the MPW staff, the gallery was closed, and the receptionist did not know anything about the agreement between Inkanyiso and MPW me coming to work in the gallery till the end of the show 14 April 2019. I asked to meet with Khona Dlamini, the liaising person between Inkanyiso.Org and MPW who was aware I would be coming but not on that day, she was busy and could not attend to me immediately. I had to wait approximately 30-40 minutes to be introduced to the person who is responsible for the gallery. Despite, this little mishap the staff was friendly and ready to ensure my comfort was paramount and that all the information I needed was supplied.

The day went on well without any problems except for few students with an attitude who would either walk in and out without greeting and some refusing to sign the register saying they have never been expected to do so because they study here (MPW). On the contrary, some of the students are friendly and cooperative, the same applied to some of the guests who would choose to rather walk out without seeing the show because they are refusing to fill in the register. The days were different throughout the week, on Monday we had 11 guests who agreed to sign the register, I did not keep track of those who refused to sign or who were rude to avoid unnecessary anxiety for myself.

There was one guest who caught my attention, a teacher from Alexandra High School who was in the vicinity and decided to walk in. The teacher was very friendly and loved the show and uttered that he wished that his learners could have an opportunity to see the exhibition but, due to financial strains for the school it was not possible for them to come. I was touched by our conversation as it reminded me of how the issue of access disadvantages black children growing up in township schools. It reminded me of my own experiences as a young writer in high school, designing and handwriting my school newsletter I was told it is just a hobby, I should put more focus on subjects with career prospects that would put food in the table immediately, not by chance. My passion was not aided in a way that would put me in the same level as my peers who went to Model C schools and had access to spaces that motivated their talents.

As the week progressed, there was a fluctuation in the numbers of guests who visit the gallery; on Tuesday there were 24 visitors and just before I knock off, a group of 17 tourists from Canada came in and I gave them the tour and explained about each of the works on the wall. On Wednesday we had 31 guests and 12 of these were a group of students from E.D Mashabane High School, from Sebokeng, Vaal area who were in Newtown to visit the Market Theatre and they wandered around till they saw MPW gallery they were fascinated and excited that they could view the images free of charge. I took this group around the gallery while answering their questions, I had a conversation with a few of them who were interested in the arts but with not much knowledge of how to break into the industry, shared a few links to art opportunities for young people.

On Thursday I requested to go and welcome my niece to the world as my sister had just given birth to a beautiful healthy baby Lesedi. I asked Khona Dlamini to assist with opening and laying out the register for guests to sign but only 1 guest signed, I am not sure how many people came in on this day. By Friday, I was happy the end of week one had finally come, though I was not in the gallery in the morning 2 guests had signed in before Muholi and the Inkanyiso crew brought in learners and educators from Umbelebele High School in KwaZulu Natal (KZN) who came to Gauteng on Educational Tour.
2019 March 16 Umbelebele High School _ KZN - Gauteng - EduTour 9962

 

Muholi is an alumni and they decided to give back to the school by covering the costs of return flights, accommodation, food and entertainment to 15 Tourism learners and 3 educators. The group were taken to a weekend tour around Gauteng and exposed them to spaces they had no access to in their school or hometown.
I had the pleasure of facilitating a workshop on intersectionality, bullying, gender and sexuality for the learners and the teachers. This excursion made it a perfect ending to a somewhat interesting and challenging week.

 

 

Related links

 

 

2019 March 3: Yithi Laba Exhibition Opening

 

and

 

2019 Feb. 20: Yithi Laba exhibition

 

 

 

 

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