2013 Aug. 17: I bleed

I bleed!
Yes I said it,
I bleed!

Every month without fail blood spills from my vagina for 3 – 4 days.
It doesn’t gush out as if I have been stabbed; it trickles out of me at unscheduled intervals, held by tampons that are supported by panty liners.
This blood shows without a doubt that I too am a woman, that I have a womb with eggs that need to be recycled.
Each month, for 3 – 4 days I bleed!
And the adverts that run on TV for my protection show my blood as blue, because I am Royal.

I wonder at the shame that is attached to my bleeding, a shame that challenges me to hide my blood. A shame that means I should feel dirty and acknowledge my blood only in secret.
Why do I call my menstruation the period, the red dot, women problems?
Why can’t I take pride in being a woman and bleed with freedom?
Why can’t I use my monthly supply of red ink to claim my womanhood?
Paint cocks and stick figures with my fingers dipped in it straight from the source?

Confrontational?
Of course I am!
I am a woman, who celebrates her female form especially the parts of me that are completely woman.
Maybe I love women because all women bleed and the most “shameful” part of my month is celebrated by my woman with no ridicule and need to hide.
Maybe I love women because there is no shame attached to a process that prepares me to give birth to a man that will forcefully try to go back where he came from despite my pleas!

I bleed, so what?!
And by the way, so do all women in this room!

© anaT

24/10/2011

Related links

2013 June 27: Butch & … Menstruation is Art

and

Click here for more motifs

Posted in Community, Love, Panty liners, Queer Youth, Reflection, Relationships, South Africa, Women who have sex with Women, Youth voices | Tagged | Leave a comment

2013 Aug. 17: South African Artists shining the light abroad

Image

Zanele Muholi’s Faces & Phases @ 55th Venice Biennale, Italy.

… from 55th Venice Biennale, Italy to My Joburg, Paris.
We are (t)here.

Imaginary Fact

What the Minister of Arts & Culture, Paul Mashatile said at the opening of SA Pavillion at Venice Biennale on the 31st May 2013.

_____________________________________________

SPEAKING NOTES PREPARED FOR THE MINISTER OF ARTS AND CULTURE, PAUL MASHATILE, ON THE OCCASION OF THE OPENING OF THE SOUTH AFRICAN PAVILION AT THE 55TH VENICE  BIENNALE

31 May 2013

Director of Ceremonies

Our partners, the National Arts Festival whom we have appointed to curate and stage this exhibition

Our artists

Guests

Members of the media

Ladies and Gentlemen:

As South Africa we are proud to be back again at this year’s Venice Biennale; the Olympics of the art world.

As we promised when we were here two years ago, we have this time brought a much bigger exhibition.

We are satisfied that, once again, we have brought to the Biennale some of the finest artists and visual art works our country has to offer.

We are also delighted to announce that we have secured a permanent exhibition space for South Africa at this premier art fair.

This not only signifies our long-term commitment to the Biennale but is also part of our ongoing efforts to showcases our country’s rich and diverse artistic talent on major world stages.

We are doing this because we believe that South African art and artists can hold their own against the best in the world.

Our presence at the Biennale is part of our overall commitment to give exposure to our artists; opening up opportunities for them to access new markets for their works.

By strengthening trade in artistic goods and services; we ensure the sustainability of our sector and enhance its contribution to the national effort to create jobs and grow our economy.

I take this opportunity to thank officials in my Department for the work they have done to secure South Africa’s participation at the Venice Biennale.

We also thank the National Arts Festival for working with us on this project and for bringing their passion, energy and expertise to this important event.

This year our exhibition is titled
Imaginary Fact; Contemporary South African Art and the Archive.”

It showcases artists who use materials of the past to comment on the contemporary.

It is about the protection and preservation of our national heritage and the symbols and artifacts of that heritage.

But it is also about using the arts to question and challenge our reading of the past, to reach a new understanding of it and to craft a new and inclusive narrative for our country.

The voices contained in this exhibition are as rich and varied as those of the citizens of our beautiful land.

They are bold and they are brave!

Some are already celebrated internationally some are beginning to make their voices heard.

All are immensely talented and, as a nation, we are proud of them and of the opportunity to showcase them to the world.

We have brought a total of 17 of our finest artists to this year’s Venice Biennale.

We take this opportunity to wish you all the best.

In you, we have worthy Ambassadors of South African visual arts.

I have no doubt that you will continue to fly the South Africa flag high.

It is my honour to declare the South African Pavilion at the 55th Venice Biennale officially opened.

Thank you.

Original source of this speech below:

Speech by the Minister of Arts and Culture, Paul Mashatile, on the occasion of the opening of the South African Pavilion At The 55th Venice Biennale


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NEW ARTISTS ANNOUNCED FOR 55TH LA BIENNALE DI VENEZIA

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South Africa participates at the 55th International Art Exhibition in Venice

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Venice Biennale 2013: An imperfect past  and its impact on the present

Posted in Art Activism in South Africa, Art is Queer, Before You, Bie Venter, Brenton Maart, Collaborations, Community, Donna Kukama, History, Human rights, Minister Paul Mashatile, Queer visibility, Race, revolution, SA mainstream media, SA Pavillion @ 55th Venice Biennale, South African art, South African Artists, Visual history is a Right not a luxury, Visualizing public spaces, We Are You, We Care, We were (t)here, Zanele Muholi | Tagged | 3 Comments

2013 Aug. 16: A Mosaicist (Artist) is born

2013 Aug. 16:  State of Arts

All ArtWorks by Ziyanda Majozi (2012 – 2013)
Medium:  Wooden base; Tiles and stones…

mosaic portrait of Buhle Msibi by Ziyanda Majozi.

Late Buhle Msibi (25), HIV activist in a 2006 portrait, interpretation of Zanele Muholi’s Faces & Phases portrait produced by the artist in 2013

mosaic of Busi

Late Busi Sigasa (25) died in 2007 March from HIV complications. The work is interpreted from Zanele Muholi s Faces & Phases produced by the artist in 2013.

Phumeza Nkolonzi

KILLED: Phumeza Nkolonzi (21) a victim of hate crime. Shot death in June 2012 in front of her grandmother and 6 year old niece. Nyanga township, Cape Town. (2013)

Zoliswa Nkonyana (19), victim of a hate crime incident which took place in 2006, Khayelitsha township. She was stoned to death by a group of young men.

STONED: Zoliswa Nkonyana (19), victim of a hate crime incident which took place in 2006, Khayelitsha township.
She was stoned to death by a group of young men.

 

chuku ncobo

SUICIDE: Chuku Ncobo (26), committed suicide in Dec. 2011. Cape Town. (2012)

 

education_6575

Education is the key.
This particular artpiece is the cover photo for Sparkling Women, edition 19.

Dimensions:  

40cm x40cm…   30cm x 18cm…   18cm x 18cm…   30cm x 30cm…   45cm x 45cm

Time frame:  It takes about 20 – 40 hrs to work on each mosaic art piece.

 “I agreed to do these works on hate crimes because it is a part of me.
As a black lesbian survivor of assault in South Africa, I’m very much affected by hate crimes.  When ever I worked on these portraits I felt a deep connection to the victims and their families.  Inasmuch as I think of how my family would reach if I were to be one of the victims.
For me there is no better way of expressing my anger towards the senseless killings and also to pay tribute to my sisters.”

About the artist

Ziyanda Majozi is currently on a mentorship programme at the Bag Factory Studios, Johannesburg, mentored by David Koloane, Pat Mautloa and Nicola Tylor.
She is a very ambitious young woman, mosaicist, artist and activist who would like to make change through Art.

She creates personal art that aims to change how people see things and what they think they know.

Ziyanda was in 1985, Cape Town.

She grew up on the outskirts of Nqamakwe, a small town in the Eastern Cape Province.

Ziyanda is a self-taught artist who discovered the love of drawing and painting at a very young age but didn’t get to explore more of her talent at the time. She then reconnected and rediscovered her talent later in life. She gained further experience through multiple art workshops and trainings.

Her determination: ambition and drive to acquire knowledge meant that she had to work extra hard to find herself a place in the art world.
 She studied two years of Graphic Design at Cape Peninsula University of Technology (CPUT) but did not finish due to financial difficulties.
In 2008, she became participated in an artistic project that focused mainly on mosaic. Later became one of the board members of the same project.
Previously got involved in some art workshops at Good Hope Art Studios.

In 2010, joined Spier Arts Academy, a mosaic school based in Cape Town. 
The school offers a three year course mainly in mosaic training, business skills and drawing skills. 
She is currently doing her last year training as a professional mosaic artist and also do commissioned work on special request.

Ziyanda is inspired by a number of people that she met along her journey.
To mention a few:  Marlise Keith, teacher at Spier Academy; Edwin Simon, former coordinator for the foundation at CPUT and Zanele Muholi, photographer/visual activist.

“Mosaic for me is a fighting, talking tool….it is raw,
I express myself better in this kind of medium…
…my anger, frustrations…
I manage to conquer something when I start holding the stones,
It is like they are the little voices that understand me better than anyone.”
– Ziyanda Majozi.

 

Posted in Art Therapy, As we are, Black Queer & Gifted, Community, Crea(c)tive senses, Creating awareness, Details, Interpretation, Stones | Tagged | 4 Comments

2013 Aug. 9: Transgender youth suicide in Johannesburg

by Lerato Dumse

On the 1st of August 2013, a 17 year old self identifying transgender (youth) was one of the approximately 23 suicides reported daily in South Africa with 230 serious attempts. He hanged himself.  According to the South African Depression and Anxiety Group (SADAG), “hanging is the most employed method of suicide.”

This was not his first attempt. The South African Depression and Anxiety Group (SADAG) estimates that 20-50 percent of those who succeed are not first timers. Diagnosed with having depression, he was part of the 60 percent of people with depression who commit suicide in South Africa.

His biggest angst was being born with a female body. He had expressed his need to feel comfortable with his body. Charlotte Maxeke Johannesburg Academic Hospital was to provide his life changing surgery, but they had turned him away repeatedly appointment after appointment since May 2013. With only his blood being drawn for tests, he died with the process having not started.

On Friday, 9th Aug. 2013 I attended his funeral in KwaThema township, Ekurhuleni.  While many celebrated National Woman’s Day in South Africa, a mother was burying her child.
However, unlike most LGBTI funerals which are often crowded and loud, his was small, intimate and full of tears. Described as someone who was always smiling as well making others smile, enjoyed building his muscles and lover of fashion.

Part of the Mother’s letter read was a message to the community at large.
“Let’s stay strong in the Lord and his mighty power, love our children and raise them in a way that will add value to their lives. Parents, don’t move from your places no matter the circumstances, you will wear the heavenly crown for a job well done.”

Suicide among lgbti youth, states that researchers have found that suicide among lesbian, gay, bisexual, transgender (LGBT) youth is comparatively higher than among the general population.

The are lesbian and gay organizations in his township, however 88 kilometers separate him from an organization that deals with transgender issues Transgender and Intersex Africa.

There are lesbian and gay organizations in KwaThema township in Ekurhuleni. However 88 kilometers separated him from  organizations that deal with transgender issues are Transgender & Intersex Africa (TIA) and Out LGBT Well Being both in Tshwane. Gay and Lesbian Memory in Action (GALA) provides reliable reading material but is 40 kilometers away.

Clinical social worker Caitlin Ryan from Family Acceptance Project (California State University, San Francisco) conducted the first of its kind study of the effects of family acceptance and rejection on health, mental health and well being of lgbt youth, including suicide, HIV and homelessness. Part of their findings was that, “parental acceptance, and even neutrality, with regard to a child’s sexual orientation can bring down the attempted suicide rate.”

Some advocates support Intervention implemented at the stage when a person is already suicidal (such as crisis hotlines). While others say Programs should be directed at increasing LGBT youth’s access to factors found to be “protective” against suicide (such as social support networks or mentors).

Attempted and Suicide have large numbers, claiming so many victims. We always hear about it, yet it is such a silent and taboo issue. As communities we have very little understanding, knowledge and education on the subject.

NB:  *Please note that the exact names of the late person are reserved for privacy but most of all to respect the family and relatives at this time of sadness.

Related articles

2013 March 12: Trans(parent) interview

and

2013 March 30: A response to Definitely Not Gaysbian article

and

Previous by Lerato Dumse

2013 July 14: Zozo’s family silenced by ‘mourners’

and

30 July 2013:  Many a truth told in jest

 

Posted in Evidence, Lord, Mourning, Provision of health care for Transgender community in SA, Questions & Answers, Religion, Silence, We Are You, We Care, We Still Can with/out Resources, We were (t)here, Writing is a Right, Youth voices | Tagged | 10 Comments

2013 Aug. 15: The documentation of black LGBTI in South Africa

Uncomfortable political representations and the public imagination

by Jeremiah Sepotokele.

The documentation of lives of the black Lesbian Gay Bisexual Transgender Intersex (LGBTI) community remains one of the most socially and politically contested space in South Africa.

Jeremiah, one of the Citizen Journalism workshop who wrote an article

Jeremiah, speaking at the Gay and Lesbian Memory In Action (GALA) website launch called Hear Us Out held on the 17th May 2013 in Braamfontein. Johannesburg.

Documentation is a powerful instrument which has significant political meaning because of its preservative strength and generally can be used as an important point of reference in asserting queer existence. I would be narrowing my focus specifically to “black” queer documentation as I believe that is where the inadequacies particularly lie. Although there have been literary and academic projects that have performed the function of documenting black queer identities in South Africa, I would like to consider the problematic representations made where these projects are mostly directed by white professionals.
Moreover it is also the dominance of white queer narratives which are problematic as they consistently make it impossible to conceive black queer existence.

Some SA books with LGBTI content

Some SA books with LGBTI content

There is a significant shortage in a number of black writers, artists, academics, etc. producing work in queer identity and culture that thoroughly reflects the black condition in this country. Zanele Muholi is one of the very few professionals that have responded to these frustrating inadequacies in queer representation.  Muholi’s documentation of black lesbian, gay and transgender community in townships and beyond speaks to lack of representation and it is in this lack that our stories are susceptible to further misrepresentations.  So claiming these spaces means that we insist in the mainstreaming of our lives.

Furthermore it is also essential to recognize that this dynamic raises the inequality which exists even in the LGBTI community; white privilege against black hard-up reality. I would like to believe that there are many black queer South Africans who are excellent story-tellers and artists; however there are limited outlets which are available. It cannot be ignored that this screams volumes in what remains the priority in the general documentation of queer identity and I cannot help it but grasp it as something that is of racial-political significance. Maybe one might assume that I am over-playing the race card here, but it is a fact that the majority of the queer literature (scholarly, artistic, literary works) is been produced by white professionals.

This is often taken for granted because there are assumptions that the realities of members of the LGBTI community are purely similar and that seems to condense our individual struggles into a single tin. This is a very dangerous assumption to make because we are first and foremost “raced” and with that follows our individual economic and cultural background which is undisputedly significant. Considering our cultural contexts comes in the light of the debates made around how un-African homosexuality is, and it is the lack of black LGBTI documentation that potentially and materially harms the advancement of black-queer identity in dominant Africanised institutions. So then this goes to perpetuating that homosexuality is un-African if we are going to always question the accessibility of forums that allow for the ownership of black-queer representation.

Balancing Act (2005) cover photo by Zanele Muholi. Book title named by Donna Smith & Zanele Muholi

Balancing Act (2005) cover photo by Zanele Muholi.
Edited by Joanne Bloch and Karen Martin. 
Book title named by Donna Smith & Zanele Muholi

Finally I do concede to the fact that it is a difficult one but it is important that we interrogate who really documents “black” LGBTI lives in South Africa.  Furthermore, who is responsible for the lack thereof. The question of accessibility of alternative forums is a sticky one as it intricately linked with socio-economic politics of this country and therefore how does one suggest navigation from this thorny reality if one can’t even afford to access alternative platforms.

About the author

*Jeremiah Sepotokele is a 3rd year LLB student at the School of Law, Wits University.
He is an Editorial Associate at the Wits Student Law Journal for Southern Africa and a Teaching Fellow at the South African Constitutional Literacy and Service Initiative. 

Previous on/ by Jeremiah

2013 July 29: Education, Queer Youth, Hate Crimes: So where to from here?

and

2013 Aug. 13: Love Transcends and Love Prevails

and

2013 May 18: After Mask … Hear Us Out



(Un)related link

http://mg.co.za/article/2013-08-11-andile-mngxitama-decolonising-the-african-queer-movement

 

Posted in Academics, Africanised, Another Approach Is Possible, Archived memories, Archiving Queer Her/Histories in SA, Artists, Arts, Books, Crea(c)tive senses, Culture, Evidence, Hear Us Out, Homosexuality, Human rights, Institution, Know Your SA Queer History, Knowledge, Lack of Resources, Life Stories, Opinion, Organizations, Our lives in the picture, Politics of existence, Questioning, Race, Race card, Readings, ReClaim Your Activism, Records and histories, Reflection, Visual history is a Right not a luxury, Visualizing public spaces, We Are You, We Care, We Still Can with/out Resources, Writing is a Right, Youth voices, Zanele Muholi | Tagged | 4 Comments

2013 Aug. 14: More photos from Antwerp Pride

2013 Aug. 14:   More photos from Antwerp Pride

Country: Belgium, Europe
Date: 10th Aug. 2013

by Themba Vilakazi/ Inkanyiso media (2013)

AP Angel brothers_3863
AP Anders NVA_3190
AP GayKiss_3872
AP GayMen_3890
AP giving love2ppl_3507
AP Gayze_3512
AP Brothers_3385
AP Great Britain_3158
AP Grand ?_3914
AP Lesego & Kopano in Antwerp_3697

AP Queenwave_3576

AP Muholi pride_3694
AP SA guys_3254
AP sailors_4007
AP QueeRussians_3424
AP supergays_3157
AP skaters_3173
AP South Africans_3983 AP spectators_3757
AP mspiggy_4020
AP artes florists_3441

Posted in Black & White, From Johannesburg to Antwerp, Homosexuality, Organizations, Our lives in the picture, Photo album, Power of the Voice, Public spaces, Race, ReClaim Your Activism, Records and histories | Tagged | 3 Comments

2013 July 16: Members of the LGBTI pour out their hearts

It is three days after Duduzile Zozo’s funeral exactly a month ago when South Africa celebrated Youth day and seven years nine days since the brutal murder of Salome Masooa and Sizakele Sigasa who were brutally murdered in July 2007, also victims of hate crime. We gathered at Kromvleiplaas cemetery, Thokoza Township, Johannesburg on the 16th of July 2013.

mourners4_8414

The level of unemployment has escalated amongst black South Africans, it is even worse with  the LGBTI community which has resulted to a major setback for most Gays and Lesbians. We assembled this time to shoot re-enactment scenes of a hate crime film.
Prior to that, we engaged on an ice breaker session to get to know each participant, as well as to express ourselves about the challenges we encounter and queer youth as we live our lives in the townships. The small group gathered here is from Thokoza and Daveyton township. During the icebreaker we found that we were a bunch of heavy hearted young men and women with breaking stories of suffocation.

To my sad realization I found that unemployment was the order of the day and I discovered that in a group of twenty four (24) homosexual beings present only two are permanently employed, four self-employed who also have challenges, which lives the other eighteen unemployed. To this disgraceful shock we managed to dig deeper into the matter. The lack of higher education, working experience as well as discouragement from our own kind when one tries to do good in the community and for themselves as individuals.

On this day I was also counted in the 18th that is unemployed. Being amongst the group made me realized how we all have the fear of the unknown and how we are fighting yet most of us don’t have the skills needed to get us the jobs we applying for.
I was reminded that no matter how supportive our Constitution may be, the world around us is still homophobic and they will always judge one by their looks and not look at their ability to work and add skills to the company.

The struggle is within ourselves, we need to stand to pursue our dreams, and it is pointless to sit down with our God given gifts and passion and watch others doing it for themselves or live someone else’s dream who has taken the initiative to live theirs.
I strongly believe everyone is intelligent and was born to serve a certain purpose on earth. Let us not be imprisoned by the limitations in our minds. As homosexuals we need to gain confidence in ourselves.  We should have hope and start believing regardless of what the world says about us. It is high time young homosexual beings start doing things for themselves and reach for our dreams.

In this short space of time I learned that no matter what you do there will always be someone to put you down and one must not let such people win. Life is a daily struggle and not everyone wishes to see you succeed in life.  Therefore we should keep pushing for our dreams and do our best in everything we do.

We are all crafted from soil and therefore everything starts from the ground to the limitless possibilities, dreams, goals, faith belief and patience are the star bricks that build a strong foundation to where you want to be.

Start living your life and nobody else’s.

About the author

Nomaswazi Nkosi also known as Swazi, a graduate from Tshwane University of Technology in Marketing Management.
She is an aspiring photographer and Fashion designer, who recently transitioned from Butch to being a Feminine African Goddess.

 

Related articles

2013 July 16: Mo(u)rning in progress @ 26

mourners7_8367


Posted in As we are, Before You, Characters, Community Mobilizing, Evidence, Exposure, Friendships, Gender naming, Hate crime film, Ihawu members, Mourning, Nomaswazi Nkosi, Organizations, Politics of representation, Power of the Voice, Praying, Queer visibility, Queer Youth, Queercide, ReClaim Your Activism, Records and histories, Relationships, Reviews, South Africa, Uthingo members, Visual history, Visual history is a Right not a luxury, Visualizing public spaces, We Are You, We Care, We Still Can with/out Resources, Writing is a Right, Youth voices | Tagged | Leave a comment

2013 Aug. 13: Love Transcends and Love Prevails

Kopano Sibeko

Warmly dressed in a fawn jacket that compliments his light skin tone with a beautiful red, white and black Scottish scarf. Jeremiah Sepotokele greets me with so much excitement. I quickly lit up because all that aura was channeled at my direction, with infectious immediacy the room was filled with so much flamboyance.

The ambitious 20 year old LLB student of the University of the Witswatersrand (WITS), aspires to work in transformative constitutionalism “I want to do a lot of human rights litigation and research, so that is basically my dream to work in a human rights movement” he expressed. Sepotokele attests that he wants to engage his dream more internationally, regionally and domestically “I want to have that kind of access and influence” he adds.

The self identifying queer activist says that “I would like to be a published author, one of the most celebrated social activist in this country and an academic” as he flairs his right hand in the air and uses his left one to sip on his blue mug of coffee.

His ambitious attitude draws a smile on my face while it simultaneously perplexes me, he continues to share that he sees himself taking to the Constitutional Court bench as one of the justices. “I draw a lot of inspiration from people who have carved the space for us” he admits. He further articulates that he looks up to the likes of Judge Edwin Cameroon, Zanele Muholi and Eusebius Mckaiser “they have truly asserted their own spaces and impacting the way we as queer imagine ourselves, and how the society in general continues to see us and how we are asserted in social spaces” he said.

“It’s mind blowing the work that they do, and I also see myself as having that kind of impact” he confesses. Sepokotele tells me that he particularly exudes much of his inspiration from Zanele Muholi “what I appreciate about her is the fact that when it comes to gender expression she’s totally complicit” he said.  He also added that he sees a lot of himself in her because she does not enjoy heterosexual privilege.  He says that Muholi empowers him and he has learnt to understand that the struggle is not about him but the queer community at large.

As I observe how he uses his hands when he speaks and the way in which he speaks so confidently, I question what drives him to be so optimistic and energetic “for me it all begins with understanding your position and the entire system of oppression“ he said. Sepotokele believes that, that is his first point of reference. Moreover he tells me that it is about comprehending your personal political space and that space is supposed to move you personally.  He also says that one needs to realize that “this is personal, I am confronted with this” he points out.

The young law student voices out that when there’s anything you are confronted with in life “it’s either you choose to do something about it or you choose to ignore it or live with it and live with the consequences that come with that condition” he further adds. There are two options when you are confronted by anything it’s either you do something about it or you sit down.

“I just happen to be one person who’s, aggressive enough and my aggression is both positive and negative” he insists.  He smiles with assurance and tells me that the constant struggle is to want to free oneself from certain conditions, he believes in education. I quickly pick up that he doesn’t like being caged in anyway and believes in independence.

I ask Jeremiah what influences him to have such a positive outlook on life and he smiles passionately “My greatest influence is my mother Elizabeth Sepokotele, my sister Kelebogile Sepotokele and all the women in my life, because what I’ve learnt from them is the gift of freedom” he expresses. He also shares with me that all the women in his life are single parents and what he has learnt from them is the idea of being independent.

He also explains to me that growing up he was fortunate enough to discover the importance of education as a freeing form and as a way of attaining independence, and gaining control of your own life. “So for me the enormous gift of independence, although it comes at a certain price and I appreciate that it comes at a price, but that means you got to lay the ground work” he said.

However, I’m intrigued by his attitude and I then ask again how he challenges obstacles in his life “I can tell you what, there’s one thing that I’ve learnt about facing adversity, I realized that in order to want to challenge the things that are against you, you got to love yourself that much, to want to not accept that thing that is against you” he uttered. He says that self-love makes all the difference, he states that people should love themselves enough to not allow things to work against them” for me what has been at the core of my energy is self-love” he insists.

I slowly diverted from all that positivity and I interrogated how his childhood life was and what are the challenges that he faced as a gay boy growing up. “ I think one of my challenges growing up, was growing up in a context that did not understand what it meant being different” he sighs. He tells me that what made it difficult to navigate through the space, was that the spaces did not allow for him to be different and that the consequences of that came with him not understanding who he was. The environment did not foster the chance of self-discovery, understanding oneself and building self-worth.

“So there’s a conflict between yourself and the spaces in which yourself are been brought in” he said. He shares that it was difficult, emotional and hard in every other way. “I have had my own share of bashing“ he exclaims. He explains that growing up he finally understood what being gay means, “It has parts of expression, it encompasses some gender expression but it is not what makes you gay. It is something that is complex and as complex as it is it has little to do with wanting to be a female”, he added.  Sepotokele says he’s truly grateful to have met people that made him comprehend the true sense of self in him in this difficult time in his life as he was developing as a flamboyant boy.

Sepotokele explains to me that he is openly gay and his family has accepted him and loves him as he is. However he tells me that when his mother found out that he’s gay she was not surprised “my mother was not surprised; but what really took her apart was that I confirmed her suspicions, because she always suspected that I was gay” he laughs, “when I confirmed it; it was a different reality” he added with more laughter.

“What I learnt about her acceptance, is the power of love, and that it transcends prejudice and pre-conceived notions of what being gay is, ” he admits. He further explains that love transcended and love prevailed; he says his mother sees him as her son before she sees a gay man.

As I observe how his face lights up when he talks about his mother, it slowly turns red and his facial expression suggest that she means the world to him. I couldn’t help but wonder where his father is, and he said “my dad was an absent father”. I also mention that you find that other people especially men find it hard to be productive without a father figure and they blame their failures on that he’s response was presence is not sufficient”. He uttered that he actually has a problem with that because it insists on heteronormative institution as a way of stabilizing our society because that automatically disqualifies queer parents to raise their children because it will be deemed as ‘abnormal’. He also voices out that “ yes it’s sad to grow up without a father, a mother or any form of support but I have a particular problem on relying on that, to say that I can’t do ABC because I don’t have parents” he expressed. He says there are people who are brought up by both parents and they are messed up, “who do we blame then?” he asked.

Sepotokele reaffirms that what drives him, is the fact that he holds a particular vision, and that vision is the center of his life and he will not rest until he lives that vision, he said “I live like a normal 20 year old gay guy, I party, I have fun, but I always go back to my vision” he smiled.

In my thoughts as I walked away from this great sitting I realized that I left that space as inspired as one should be daily, but the greatest thing I’ve learnt is that self-love comes from understanding oneself and that love transcends all.

Previous by Kopano

2013 Aug. 7: Reality Check from the 2013 World Outgames

and

2013 July 31: Almost all about my first time abroad

and

2013 July 15: The virus has become a silent relative

and


2013 July 10: Chaotic memorial service for Duduzile

and


2013 May 11: Actually, absolutely, definitely NO!


and

2013 April 21: Living a legacy is always better than leaving a legacy

and

2013 April 23: Intraview II

and


2013 April 16: Not just a handsome butch lesbian

and

2013 April 9: I refuse to be abused

Posted in Education, Independence, Know Your SA Queer History, Knowledge, Life, Life Stories, Power of the Voice, Profile, Queer Youth, Readings, ReClaim Your Activism, Relationships, Self discovery, Self-worth, South Africa, We Are You, We Care, We Still Can with/out Resources, We were (t)here, Womanhood, Women's power, Writing is a Right, Youth voices | Tagged , | 8 Comments

2013 Aug. 13: Indlovukazi

Ukushona komuntu yinto encane
Uthi usacabanga ukuthi unaye
Phatha phatha akasekho

I’ve lived with a Queen in her own castle
Many would think she’s Royalty
because she had all the bodyguards in the world
She served as my therapist

I lived with my personal assistant
because I needed guidance in everything I did.
Gogo was my super hero
When Mkhulu died he left me with a rock, Imbokodo
Umfazi owacishe washona ngesikhathi sempi kodwa uJehovah wala nempilo yakhe
Ngoba kuwuyena umhleli wezinto hayi thina

Imbokodo yami
My rock
She took her last breathe without me being there
Not that I could have stopped her soul from exiting her body
but saying goodbye
A proper goodbye
I don’t even know what a proper goodbye is

Death has done it again
How does the universe expect me to live without you?
What good will I serve if you’re not there to see me through?
Who should I share my frustrations with?
And who’s going to help me pick between 15 things I want to do

You’ve done it all
Believed in Me
and everything I did
You got me
You got my crazy activism days
and you understood that I am different
and allowed me to live my life as a different person

You knew all my moves
from organization to the next
from women’s rights to LGBTI rights
Each t-shirt I had on you knew why I had it and you understood it all

Ndlovukazi Shezi kaDlaba
Majola,
Mchunu,
Ngculunga,
Ntube
Uyidlalile indima yakho
wenza kwenzeka nasenkonzweni
Ubungumama onkophezimanzi
Othi makuba nzima ahlale phansi ngendolo abhekise enkosini
Qhawekazi lami
Mbokodo yami

Ntsika ebihlanganisa umndeni uwenze ube moya munye
Intombi yeVangeli
Ebihleli enkosini kuze kube sekugcineni
Kuthi noma izilingo zifikile kodwa uhlale edolweni!
Kuthi sekunzima
Uhlabelele uthi “kulungile baba uma kuyintando yakho”

Ithi impilo inzima
Ngiphetwe i stress
Ungikhumbuze ukuthi kuyathandazwa uma into ungayiboni kahle.
Ntombi yevangeli
Ebingakhathalele bala lamuntu
Hayibo isebenzile lentombi
Isebenzela ukumbona
Owadala izulu nomhlaba

Maye kufa kodwa siyakhona sonke!

by Maureen Velile Majola
© 21 June 2013

Previous by Maureen

2013 Aug. 6: My body as a subject of hate crime

and

2013 July 20: I’ve lived with her for years

and

2013 July 7: Trouble Soul

and

2013 June 21: The Princess of Norway pitched just for Muholi


and

2013 June 4: My Only Man

and

2013 May 16: Don’t touch ME!

and

2012 March 20: There’s a strawberry garden between your legs

Posted in Activism, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources, We were (t)here, Women; Voices; Writings; Education; Traditions; Struggles; Cultures, Writing is a Right, Youth voices | Tagged | 2 Comments

2013 July 31: Highlights from World Outgames Human Rights conference and after

2013 July 31:  Highlights from World Outgames Human Rights conference & ....

L-R: Alice N’Kom, a lawyer and founder of an LGBTI organization in Cameroon called Association Pour la Defense De l’ Homosexualite (ADEFHO) with Virginia Setshedi.
(31.07.2013)

Photos by Dikeledi Sibanda, Kopano Sibeko & Lesego Tlhwale
representing FEW and Inkanyiso…
Antwerp, BELGIUM.

Virginia Setshedi_0217

HR conf wt o_0260
Kopano HeJin Ian & Virginia_0262
Mr Gay?_0246
Kopano & Mr Gay SA_0256
Antwerp Dikeledi & Kopano_0286

Antwerp Our Youth abroad_0312
Dikeledi & Kopano_0333
Kopano & Lesego_0318

Reflections on Antwerp trip to be posted later.

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2013 August 9: For the love of sport activism

and

2013 Aug. 6: Invisibility of black lesbians ‘From safe harbours to Equality’

and

Parade opens World Outgames in Antwerp

and

2013 July 27: African Lesbians and Transgender Facing Belgium

and

2013 July 31: Almost all about my first time abroad

and

2013 June 17: Fundraising for Chosen FEW

Posted in Another Approach Is Possible, Antwerp, Archived memories, Articles, As we are, Before You, Belgium, Chosen FEW absent, Creating awareness, Documentation; Filming; Photography; Community, Expression, Forum for the Empowerment of Women (FEW), Homosexuality, Human rights, Photography, Politics of existence, Power of the Voice, Queer Youth, Records and histories, Relationships, Visual history is a Right not a luxury, We Are You, We Care, We Still Can with/out Resources, We were (t)here | Tagged | 1 Comment