2016 March 25: VMCI unpacking the crucifixion of Jesus

Text by Lerato Dumse
Photographs by Lizzy Muholi & Lindeka Qampi

 

Victory Ministries Church International (VMCI) held another successful annual three-day Easter Convention. Marianhill, founded by Abbot Francis is popularly known for its Roman Catholic presence was the town of choice for VMCI’s 2016 Easter weekend camp. The church, which has been consistent in growth, now boasts seven pastors in its stable.

 

2016 March 27 VMCI pastors_1207.jpg

 

They hail from different South African provinces and cities including Johannesburg, Port Elizabeth and Pietermaritzburg and are still led by Apostle Zungu. Pastor Ngwane, Pastor Dlamini, Pastor Zulu, Pastor Sinqe, Pastor Khanyile, Pastor Mazibuko, and Pastor Nonxuba each had a slot to present the seven procedural passages on the first session of Good Friday. The scriptures that kept the congregation hyped and revived are Luke 23 verse 43, John 19 verse 26, Mathew 27 verse 46, John 19 verse 28 and Luke 23 verse 46.

This is the inaugural Easter without the presence of Prophetess Magesh Zungu, the first lady of VMCI who passed away in December 2015, after an illness. Showing a consistent united front, Apostle Zungu, his mother in law and children Wandile and Zenande displayed strong character.

The church has invested their faith into one of the priority points highlighted during the convention, which is the importance of giving a tithe as dictated by the word of God. Giving an offering is seen as key to uplifting the different branches of the church. Although this year’s venue came with time restrictions, the programme remained largely unchanged, with its regular three sessions. Many of the congregants from different various places arrived a few hours before the service. After being allocated rooms, they freshened up and many kept to their usual plan of wearing different outfits for each session. The venue at Tre Fontane Lodge didn’t come with a hall and a marquee was setup to be a home for the church services.

The speakers and preachers kept the congregants in gear and uplifted, while new additions in the choir and worship team came with potent Holy Spirit and talent. The last word of God was delivered by one of the new additions. Pastor Nonxuba’s sermon was based on the scriptures of First Samuel chapter 15 verses 22 &23. Speaking in Xhosa, Nonxuba used rib-tickling humour while encouraging congregants to listen to and obey the word of God and the Holy Spirit when it directs in life.

 

2016 March 27 VMCI congregants_1222.jpg

 

A reward is waiting

“When God puts you through a fire, the length of time you are kept in there will determine which gold karat you will be when you emerge,” Maureen Majola from VMCI Soweto said this to congregants while delivering the word of encouragement. She was speaking during the first session on March 26th. “When you walk down the street people will see you glittering in Gold,” Majola elaborated further before blessing the church with her well-delivered poem. The first service of Holy Saturday followed a baptism session held earlier in the morning.

After enjoying some breakfast consisting of eggs, sausages, cheese, tomatoes, cereal and juice to wash it all down, congregants went to their rooms to prepare for the service. As expected, it was clear that people put a lot of effort picking the outfits worn. Amadwala walked tall in their stilettos, wedges, pencil skirts and formal dresses, while Intsika looked formal in their blazers, chinos and ties. Temperatures in Marianhill hill were high as the sun shined bright; the ushers had their hands full keeping the congregants hydrated with ice water.

 

2016 March 27 Amanda by LQ_7309

 

The worship team, was a merge comprising of members from different branches, they diversified the talent that kept churchgoers on their feet, praising the Lord.

Mrs Mazibuko, the First Lady from Soweto used James chapter 1 verse 6 to help worshippers to open their hearts and minds before coming forward to give their offering.

 

2016 March 27 Pastor Mazibuko_1314

 

Pastor Mazibuko was aided by the book of Genesis to remind people “It is never too late for God, he is always on time.” Speaking in the usual story telling manner, Mazibuko explained that, “the blood of Jesus has heard our cries.” The pastor emphasised the need for congregants to continue doing well, because rewards are waiting.” Often using personal experience to better illustrate points, Mazibuko shared a testimony about finding a job because of faith adopted during an Easter service many years ago.

Before closing the first session, the MC Mr Royo requested for those who identify as Intsika to come to the front for a special memorial item for the late Prophetess Magesh Zungu. They sang and danced to “Xa ndiyekelelwa nguwe” which was inspired by a personal memory Royo shared with the Prophetess. Some members of Inkanyiso listened to the second service from inside one of the dining halls at Tre Fontane.
Inkanyiso crew solved technical glitches, while finalising the setup for a documentary screening featuring Magesh. Before having supper, church members were requested to converge for the special premier. The doccie produced over a three-year period, induced a roller coaster of emotions, as many found themselves laughing and crying at the same time. Although it is not too obvious, it is still evident that VMCI church still mourns the loss of their mother.

 

2016 March 27 Pastor Sinqe_1142

 

Another lesson about the significance of having faith was the burning issue in Pastor Sinqe’s sermon, taken from Matthew chapter 21 verses 14 and 18.

 

He has risen

The worship and intercession segments got the house warmed up before the pastors and apostle Zungu made a grand entrance on Sunday March 27 2016. Menzi Nxumalo then took the ropes doing a spectacular job as MC, keeping the congregants hyped up with his praise song selection. There was uniformity because of the all black, black & purple as well as black and white worn for the last service. Shortly after entering the place of worship, apostle Zungu flanked by his seven pastors performed a musical item, with Deacon Ndosi as the conductor. While the congregants were still revved up, VMCI dance group took to the stage with their beautiful and well-choreographed moves, while playing the song Siliwelile I Jordan. The next item on the programme was the word of encouragement by Soni, Okuhle, Wandile and Sboniso.

 

2016 March 27 Umvangeli 2_6839

 

2016 March 27 VMCI choir_6924

 

Wandile then came back with an analogy about the need of Amadwala to be like apples, “even after eating an apple the roots are thrown away, allowing for nature and the rain to produce 10 other apples.” This prompted a response from Okuhle who said Intsika need to be like cement, and harden when poured with water. The Holy Spirit descended following the highly charged encouragement segment and the house burst into prayer.

Pastor Zulu gave a short sermon in preparation for the offering. The intercessors were slotted in the programme and they gave rendition of Alikho Igam’ emagameni, which was one of Magesh Zungu’s favourite songs.

Apostle Zungu shared the last word of God for the 2016 VMCI Easter convention. He started by distributing certificates to the newly ordained pastors. Zungu seized the chance to turn the handing out session into a light-hearted moment while reading out the feminine names of the pastors. Zungu did not distance himself from the comics and asked congregants if they know his English name which starts with an M. The apostle then diverted from the jokes and spoke about how families of LGBTI community members and gender non-conforming individuals dress their children in clothes that they did not wear while alive, making an example of how families of butch lesbians will dress them in women’s clothing when they have passed away. Zungu then pledged his support in ensuring that families continue to recognise their children and relative’s choices even when they are dead.

 

2016 March 27 Pastor Zungu praying for Lethu_1265

Pastor Z. Zungu prayed for the sick congregant…

 

2016 March 27 Congregants_1319
The need for people to humble themselves was the message carried by apostle Zungu while preaching. Apart from reiterating to church members the importance of not smoking, drinking, adultery and gossiping, Zungu said humbling oneself allows God to lift them up. Consumption of the Holy Communion was one of the last items in the programme. People were instructed to tell the Lord to, “flush out what is not right with them.”

 

Related links

 

2015 April 6:  VMCI Baptism at 2015 Easters in Durban

 

and

 

2015 Dec. 24:  Remembering Magesh Zungu

 

and

 

2015 Feb. 16:  VMCI is a home away from home

 

and

 

2014 Dec. 21:  Sealing the union of love

 

and

 

 2014 Dec. 14:  The kiss that moved the church

and

 

 2014 Aug. 2:  Vuyisile and Happy’s umembeso

 

and

 

2014 June 23:  The lovely couple on vacation in Cape Town

 

and

 

2014 Feb. 4: Newly ordained pastors of VMCI church 

and

 

2014 Jan. 5:  Ishaya ngolunye unyawo i-VMCI kulonyaka

 

and

 

2013 Sept. 21:  Easter Weekend with VMCI worshippers 

 

and

2013 Sept. 19:  Ikhiphe icwecwe layo lokuqala i-Victory 

 

and

 

 2013 Sept. 1:  Bafake umfaniswano omama nobab’ umfundisi

 

and

 

 2013 Sept. 1:  The VMCI Times

and

 

 2013 Sept. 16:  The day Ndlelas got married  

 

and

 

 2013 Jan. 6:  Victory Ministries Church International (VMCI)

 

and

 

 2013 June 15:  The Durban Lesbian Wedding of the Year

 

 

 

Posted in Another Approach Is Possible, Archived memories, Creating awareness, Power of the Voice, Preachers, South Africa, Uncategorized, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

2016 April 2: Faces and Phases follow-ups

by Lerato Dumse

The intercom from downstairs rings around 9am on Saturday April 2 2016 and Sandisiwe Dlamini quickly answers it. The security guard announces, “Ziyanda has arrived,” after Sandisiwe confirms that she is expected, the guard allows her in.

Ziyanda Majozi steps into Zanele Muholi’s flat, takes a seat on one of the sleeper couches and wears her usual smile. Majozi pays the morning visit because Muholi has requested a follow-up shoot as part of the Faces and Phases project. Today CNN Africa, who asked to document Muholi, will shadow and shoot the photographer for a “day in the life of” – styled TV series, titled Inside Africa.

Faces and Phases is one of the award-winning photographer’s most revered essay and comprises of more  than 250 black and white portraits of black lesbians and transgender individuals from South Africa and neighbouring countries.

faces214

Ziyanda Majozi, Sandton, Johannesburg (2013)

 

2016 April 2 Ziyanda Majozi @ Momo_1674

 

Muholi's mosaic portrait done by Ziyanda in 2014Following up on a 2013 image Muholi took of mosaic artist Majozi in Sandton, the photographer and I get ready for today’s shoot, ensuring all the essential equipment is packed. Majozi, who met Muholi in Cape Town,  rushes to the barber shop for a haircut and returns sharply.

The buzzer goes off again, this time it’s Colin Hancock from CNN Africa. With Colin’s colleague Nick in tow, we all set off. First stop is Gallery Momo in Parktown North, where Majozi is currently on residency. A brief interview between Muholi and Colin followed by a photo shoot of Majozi before moving to Braamfontein to visit Stevenson gallery, which represents Muholi.

Federica Angelucci, one of the directors working closely with Muholi, is also scheduled to be interviewed, as part of Muholi’s Inside Africa insert. With the sun still shining bright, we made the 40-minute drive from Johannesburg to Kwa-Thema, situated in the east of Jozi.

Pictured in Faces and Phases participants. From L-R:  Lerato Dumse, Tumi Nkopane, Muholi, Lebo Mashifane and Ziyanda Majozi in Tsakane, Johannesburg  (2016/04/02)

Pictured in Faces and Phases participants. From L-R: Lerato Dumse, Tumi Nkopane, Muholi, Lebo Mashifane and Ziyanda Majozi in Tsakane, Johannesburg (2016/04/02)

When we arrive Tumi Nkopane gets picked up to be photographed later. With most of our stomachs growling, we go to a fast food spot to buy food. Time is already against us, as the sun is moving fast. The next location is to Lebo Mashifane’s home in Tsakane for her own follow up shot, from two incredibly beautiful 2009 portraits taken in Cape Town. Tumi and I both from Thema, are next to be photographed. The last hour or so before the sun sets is used for a sit down Q&A interview with Colin, while Nick is behind the cameras.

This brought to an end a productive day of documenting and being documented.

 

Related link

2014 Oct. 31: Faces and Phases (2006 – 2014) book launch

 

 

Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

2016 March 8: Remembering those we met and lost along the way

Photos by Mzonke Madotyeni/ Inkanyiso Media

When: 8th July 2011
Where:  Stevenson Gallery, Johannesburg
What: Inkanyiso exhibition opening

2011 July 8 Le Sishi Picture 207Ms Le Sishi from Durban came all the way to witness the show in which she featured…

 

2011 July 8 Blue top _ Picture 321

 

2011 July 8 Marco _ Picture 153Makho Ntuli…

2011 July 8 Lebo Magaela Lesego Masilela May & friend Picture 336
Standing at the back are: Lebo Magaela, Lesego Masilela and friends…

 

2011 July 8 KwaThema crew _ Picture 330With members of EPOC LGBTI, KwaThema… from Left to Right: Thuli, Ntsupe, Lindi, Lerato (curator from Stevenson Gallery, JHB) and Rose…

 

2011 July 8 Mancane & Kopano Picture 216       Cousins and friends, Thandi Selepe and Kopano Sibeko…

 

2011 July 8 Betesta _ Muholi _ Muntu Picture 298Thank yous recorded by Betesta Segale, listening on the right is the late Muntu Masombuka

 

2011 July 8 Christin _Revelation _ Le Picture 193      Brave beauties: L-R: Christin Moemedi, Revelation Xakoshe and Le Sishi

 

2011 July 8 Thokozani Muholi Yolisa _Picture 273                                                 Muholi with Thokozani Ndaba and Yolisa Njamela…

2011 July 8 Virginia & friends Picture 180

 

2011 July 8 Revelation Picture 208

Revelation Xakoshe in front of her portrait…

2011 July 8 Jade Mimi & friends Picture 341Jade Madingwana and friends…

 

2011 July 8 Anza & Friends Picture 241Anele Khaba (centred) by friends…

2011 July 8 Stanley & Muzi Picture 316              L-R:  On friendships, Stanley & Muzi…

2011 July 8 Muholi & Muntu _ Picture 324
Muholi with the late Muntu Masombuka

 

Related links

 

2015 Nov. 25: The best ‘black’ exhibition of the season

 

and

 

2014 Jan.29: WAM Photos

 

 

 

 

 

Posted in 11 South African official languages, Almost 5 years later..., Beautiful faces, Beauty, Before US, Before You, being recognized, Black Queer Artists, Exhibition, Exhibition opening, Inkanyiso media, LGBTI community, lgbti issues in South Africa, Uncategorized, Zanele Muholi | Tagged , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

2016 Feb. 18: Muholi talks self-representation at Gallatin School of Individualized Study

Text and photos by Lerato Dumse

So here I was, looking at the beautiful night view of New York City from thousands of feet in the air. While the plane made a descent into LaGuardia airport, my excitement ascended as I tried to capture many shots from the window seat on the left side of the flight.

Zanele Muholi, Themba Vilakazi and I ended up in the late night flight because our original flight from Columbus, Ohio had been cancelled due to the bad weather that affected NYC days before. After some negotiating we were transferred to the next available flight which was a different airline and going to a different airport. The first sign that my haven ended on touchdown was when we were stuck inside the plane for over 15 minutes while waiting for someone to open the door. Eventually we were freed and after disembarking we headed to baggage claim, where the next part of the adventure continued. With no clear communication we moved up and down the carousels until we were told which two might have them.

Together with a handful of fellow passengers we waited for our bags. After waiting for more than an hour, an employee from American Airlines came to announce that our bags were never on the flight and said we need to come to the baggage office. After taking down our details we were given toiletry bags (which are not user friendly for a black female) and given little hope or indication of when we would receive our luggage.  Our check-in time at the Airbnb was 3pm and now we were leaving the airport past 11pm, I was just praying the person who was supposed to give us the key would not dose off.

Fortunately all went well and we arrived at our new home had some pizza and called it a night.

 

2016 Feb. 17 Muholi speaks @NYU Gallatin_6684
We woke up the next morning February 17 2016; it was a big day on the calendar. Muholi had a public lecture at New York University’s (NYU) Gallatin School of Individualized Study.

 

2016 Feb. 26 Zinathi closing @NYU Gallatin _7322

 

The talk was scheduled to coincide with her exhibition at the school titled Zinathi. The show, which opened on February 5, premiered many of the photos installed. Zinathi beautifully merged Faces and Phases and Somnyama Ngonyama, while a video projection play on the opposite wall featuring documentaries and art videos including Difficult Love, Lona Wumzimba Wami, We Live in Fear, Puma Film for Peace. The innovative show presented some of the Somnyama self-portraits in metal plates.

2014 Portia Modise sm 0629 BWThe on-going Faces and Phases series had both follow up portraits and new participants. Portia Modise, former Banyana Banyana striker who is the first soccer player from the African continent to score more than 100 international goals is one of the new faces in the project.

While self-portraiture is the route explored by the activist in her latest body of work Somnyama Ngonyama. This talented artist has turned the camera on herself, in what she calls an “artist’s response to on going racism.” The images were taken in different locations whilst travelling in Africa, America and Europe. Muholi describes this process as one of self-discovery, and so through this series we get to see and experience the many ways she imagines herself.
Muholi opened the talk by sharing that she had planned to study at NYU and be supervised by Deb Willis, whose work she read and still goes back to her work Family History Memory. Born during apartheid South Africa (SA) to a domestic worker mother and Malawian migrant father, Muholi admitted that she didn’t grow up with a camera.

“I am a product of bantu education, which causes many people to continue being affected by unemployment,” Muholi explained. The archivist revealed that her talk would focus on contemporary SA and not venture into the 1700s history. As a precautionary measure in her LGBTI work, Muholi admitted that she works with people who are out of the closet. “I did not want to end 2014 without including and recognising Portia hence I documented her on Christmas Eve of that year.”

Muholi echoed her sentiments that members of the LGBTI community cannot rely on mainstream media to “document and tell our story” so she took it upon herself to also document. The visual activist then projected her wok, which included a diptych image relating to the death of Sandra Bland, the image was created while she was on residency at Light Work in Syracuse.

The activist also shared how her work aims to inform racists that, “we are black 365 days and don’t have to mimic it.”

 

2016 Feb. 26 Muholi closing remarks @NYU Gallatin _7252

26.02.2016 Muholi speaking at the closing of Zinathi exhibition in New York

 

2016 Feb. 26 Muholi with NY friends sm _7331

Celebrating the ending of the successful show with NYC friends at NYU Gallatin gallery. From L-R:  Elaine, Yvonne, Elliot, Muholi, Christin, Mahlot, Rin and Jenna.

 

Related links

 

2016 Feb. 12:  Outstanding demonstration of excellence

 

and

 

2016 Jan. 31:  Muholi’s upcoming mo(ve)ments

 

and

 

2015 Dec. 8:  Cultural exchange from Johannesburg to Sardinia

 

and

 

2015 Oct. 14:  Brief visit to Amherst

 

and

 

2015 Oct. 9:  Muholi presents at Penny Stamps Distinguished Speakers Series

and

 

2015 Sept. 8:  Faces and Phases presented at Hasselblad Foundation

 

and

 

2015 Sept. 2:  When Faces Meet in Gothenburg, Sweden

 

and

 

2015 Aug. 23:  Muholi and Dumse present at Light Work AIR

 

and

 

2015 March 12:  Muholi addressed scholars at Brighton University, UK

 

and

 

2015 Feb. 27:  Announcement 
Public Lecture by Zanele Muholi @UCLAN, London

 

and

 

2014 July 18: Women’s Day Lecture at UFS

 

and

 

2014 June 17: Muholi’s Ryerson University (RIC) Talk

 

and

 

2014 Mar.21: Photo of the Day from Human Rights and LGBTI in Sub-Saharan Africa class

 

and

 

2014 Mar. 18: Sharing South African Queer Knowledge with students in America

 

and

 

2014 Mar.5: More than an activist

 

and

 

2014 Feb.4: Black Queer Born Frees in South Africa

 

and

 

2013 Nov. 4: From Market Photo Workshop to Bremen University

 

 

 

 

Posted in Appreciation, Archived memories, Art Activism, Art Edutainment, Art is Queer, Article by Lerato Dumse, Articles, LGBTI politics, Uncategorized, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

2016 Feb. 12: Outstanding demonstration of excellence

Text and photos by Lerato Dumse

They say and I believe that you forget the feeling of pain. You might not forget the incident that caused you pain, but the actual pain, you forget. I remember some particular cold days in my life, however I don’t remember feeling as much cold induced pain on my face as I felt while walking in Toronto Canada on February 11 2016, on my way to attend the Ryerson University Alumni Awards. 

We arrived in Toronto on February 9 because Zanele Muholi was being honoured with an Outstanding International Alumni Award, as a former MFA student in Documentary Media at Ryerson University. A day before the awards Muholi paid a visit to a documentary class at the School of Image Arts for a public Visual Activism talk.

We stayed at the Chelsea Hotel that was less than a 10-minute walk to the Sears Atrium where the awards were held. So it made more sense to walk and avoid being stuck in afternoon traffic. Since everyone had “warned” us about the cold weather, I made sure that I dressed warm, but Toronto managed to sneak an uppercut on my face.

We eventually arrived and were pleased with the warmth that welcomed us inside. We made our way to the 3rd floor where the award ceremony was taking place. We joined the queue to check-in our coats, Muholi had to leave for a dry run of the ceremony and meet with the President, Vice-President and Chancellor, after handing over my coat I made my way inside to begin shooting.

I appreciate meeting and interacting with black people when I am outside of South Africa, I admit that I am spoiled since I come from a country where I form part of the majority. So I feel strange when I arrive at an event and I am one of less than five black people, which was the case at the awards. Nonetheless I floated amongst the crowd, capturing candid shots of Muholi as she mingled.

A friendly lady came up to me and we struck a conversation starting with the weather of course, before moving on to my favourite topic, politics. The alumni awards coincided with South Africa’s State Of The Nation Address, in explaining the current political happenings in SA I spoke about the various #MustFall movements. She seemed to be shocked by my support of the #RhodesMustFall movement and told me to wait while she “tries to find someone she can introduce me to,” that was the last time I saw her that evening.

The ceremony began, the catering and open bar service were halted as everyone found a seat and settled down. Tyler Forkes who is the Assistant Vice-President, Alumni Relations took to the podium as the Master of Ceremonies and invited the Interim President and Vice Chancellor, Mohamed Lachemi to the stage to give his opening remarks.

Followed by Ronald D. Besse who was tasked with welcoming the six recipients. As a Ryerson alumni who graduated with a degree in Business Administration in 1960 and continues to serve the institution, Besse was able to make an impassioned plea to the award recipients to continue finding ways to support Ryerson and its programmes. While sharing about the hard work done by various volunteers and board members to raise funds for Ryerson, he was also successful in introducing laughter in the formal and low-lit room.

 

2016 Feb. 11 Awardees group photo_0348
The alumni awards were established 18 years ago (1998) when Ryerson celebrated half a century since it’s founding and half a decade as a university.

The moment of truth finally arrived, and Interim Vice-President, University Advancement, Rivi Frankle was called to the front to facilitate the handover of the award certificates .

2016 Feb. 11 Muholi receiving the AAA_0339

2016.02.11: Muholi received an award from Rivi Frankle and Mohamed Lachemi

Muholi got on stage posed for a photo with her award before approaching the mic to give her acceptance speech. The art activist was full of gratitude for those who supported her vision and work. She paid a special tribute to her mentor and MFA funder,  and his wife Lily.
Speaking to the media, professors and friends Muholi continuously spoke about her wish to see more Africans joining the documentary programme and having a scholarship available to prevent them from experiencing the same hardships she faced. “I have deep gratitude to all the people who supported me since the beginning of my photography career, it means that one cannot stop working hard but I need to continue with the on-going projects. I am determined to carry on training photo skills to many individuals and ensure that we have a lot of conscious minded visual activists. People who’ll raise socio-political issues of concern and tackle all forms of prejudice using photography as a tool of articulation,” Muholi affirmed.

I have been fortunate to be able to travel with Muholi and on the 11th of February I had the honour of attending the ceremony where she was recognised. It was a real heart warming moment and one of my biggest tests as a photographer, wondering if I would be able to capture the moment, so it can be shared with many, especially those back at home.

Check more on 2016 Alumni Achievement Award recipients

 

Related link

2013 Nov. 4:  From Market Photo Workshop to Bremen University

 

 

Posted in Award ceremony, Classroom activism, Crowd, David Goldblatt, Documentary Media, From Johannesburg to Toronto, Honored, media, Ryerson University Alumni Awards, School of Image Arts, Toronto, Uncategorized, Visual Activism talk, Winter 2016 Canada, Zanele Muholi movements | Tagged , , , , , , , , , , | 3 Comments

2016 Feb. 6: Cleveland moves

by Lerato Dumse

When I saw a woman blowing smoke at a bus stop in Cleveland, my mind was shocked, for some reason it was like my first time seeing someone smoking. Then it hit, I don’t remember seeing anyone smoke in the 7 days I was there, it was a breath of fresh air from all the huffing and puffing I often see in the different places I visit. As the woman continued enjoying her smoke, we drove past on our way to the Airport to catch a flight to Toronto Canada, for the next agenda on the schedule.

I arrived in Cleveland, Ohio State in USA with Zanele Muholi on February 3. 2016. The Cleveland Museum of Art invited Muholi for its Contemporary Artists Lecture Series. The lecture was scheduled for Saturday, February 6 and a change of venue was necessary due to a higher volume of RSVPs than initially anticipated. As expected, we had our fare share of jet lag, having travelled more than 18 hours from Johannesburg.

However there was a schedule that had to be honoured. The first public engagement on February 4 was the screening of one of Muholi’s successful projects, her award-winning documentary Difficult Love. It was part of Sistah Sinema’s monthly screenings, with the Cleveland version hosted at the Museum of Contemporary Art (MOCA). Sistah Sinema is a space for films by queer women of color and was started in 2011 in Seattle, and continues to grow its footprint in other parts of the country. An upbeat Deidre McPherson who is the founding director of Sistah Sinema’s Cleveland chapter waited for us as we arrived at MOCA. She greeted us with a broad smile, firm handshake and what I sensed to be some nervousness; trying to make sure we are comfortable.

First to arrive was a mature gentleman, whom Deidre identified as a regular in the screenings. More people started arriving and picking seats ready to watch the doccie. The screening was ended by an engaging Q&A session with the artist. We concluded the cold night by going out for dinner at an Asian restaurant that served potions that can conquer any appetite.

2016 Feb. 6 Phyllis & Perry @CMA_6211

A final sound and visual check, interview with Phyllis Seven Harris who is the Executive Director of LGBT Community Center of Greater Cleveland as well as Student Critiques at Cleveland Institute of Art kept us busy the day before Muholi’s Public Lecture.

2016 Feb. 6 Barbara Tannenbaum introduces Muholi @CMA_5918
We arrived at Gartner Auditorium an hour before the talk was scheduled to start and finalised our setup and watched as the venue started filling up. Barbara Tannenbaum, curator of photography at Cleveland Museum of Art opened the event by introducing Muholi and made a special announcement about her [Muholi] being honored with a 2016 Infinity award. Muholi started her lecture by giving a brief historical background on South Africa. “This year marks twenty years since the SA Constitution was amended, ten years since same sex marriage was legalised and celebrate twenty-two years of democracy,” explained the activist. She acknowledged how homosexual rights are unfortunately not a reality for many talented African artists and activists who cant speak out due to repressive laws in other parts of the continent.

2016 Feb. 6 Muholi _ before & after_5899
After outlining the pillars behind her work which include Visual History/Archiving, Self-Representation, Collaborations, Participations and Collectivism Muholi started projecting her images, starting with her latest project, Somnyama Ngonyama. She informed the audience that she opted to “use her body as material,” as a way of taking a stance against racism in South Africa and other parts of the world. Moving on to other projects, the artivist shared how losing and continuing to lose friends forced her to document the LGBTI community.

After concluding the lecture Muholi was whisked to another part of the museum for a book signing and spend some one on one time with those who had questions.

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Previous lectures

 

2015 Dec. 8:  Cultural exchange from Johannesburg to Sardinia

 

and

 

2015 Oct. 14:  Brief visit to Amherst

 

and

 

2015 Oct. 9:  Muholi presents at Penny Stamps Distinguished Speakers Series

and

 

2015 Sept. 8:  Faces and Phases presented at Hasselblad Foundation

 

and

 

2015 Sept. 2:  When Faces Meet in Gothenburg, Sweden

 

and

 

2015 Aug. 23:  Muholi and Dumse present at Light Work AIR

 

and

 

2015 March 12:  Muholi addressed scholars at Brighton University, UK

 

and

 

2015 Feb. 27:  Announcement 
Public Lecture by Zanele Muholi @UCLAN, London

 

and

 

2014 July 18: Women’s Day Lecture at UFS

 

and

 

2014 June 17: Muholi’s Ryerson University (RIC) Talk

 

and

 

2014 Mar.21: Photo of the Day from Human Rights and LGBTI in Sub-Saharan Africa class

 

and

 

2014 Mar. 18: Sharing South African Queer Knowledge with students in America

 

and

 

2014 Mar.5: More than an activist

 

and

 

2014 Feb.4: Black Queer Born Frees in South Africa

 

and

 

2013 Nov. 4: From Market Photo Workshop to Bremen University

 

 

 

 

Posted in Activated queer spaces, Activism, Activists Act, Affirmation, Allies, Alternative family, Appreciation, Art for Humanity, Art Is A Human Right, Art Solidarity, Artist Talk, Audience, Believe, Cleveland Museum of Art, Uncategorized, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , | 1 Comment

2016 Jan. 26: My Educational visit to Jozi Maboneng – LGBTI

by Wendy Khumalo

Day 1

On arrival at Zanele Muholi’s home we already had appointments scheduled for the day. The first was with an upmarket accounting firm in Sandton; this was truly going to be an educational day. I was thankful to be part of this informative business session, as I’m also starting a business  venture. We literally spent 30 minutes in Sandton and we had to run Zanele’s errands then head back to Parktown, have lunch and be on the road to Benoni in Wattville for an interview and photo shoot Lebo Lebona for the Brave Beauties series/project.

 

2016 Jan. 25 Lebo Lebona_0432 sm

 

American Embassy _ Home of the diplomat

 

Lebo welcomed Zanele, Lerato Dumse and myself, and was poised and elegant. Beautiful warm smile, couldn’t stop looking at her, she took me back to my crush Senny, a brave beauty from Durban. Lebo then introduced us to her mother who was in the house, we were going to conduct the photo shoot/interview outside as lighting was perfect. I was fascinated and intrigued by how professional and easy Zanele was. She was in her element, she directed Lebo as she was about to shoot her portraits. Lebo was in her element, Zanele didn’t say much she just shot photo after photo and Lerato taking different behind the scene angles of the two. It was incredible they were in sync. I was in awe, joined them for a few photos to post, so I could share my incredible experience. As Zanele was wrapping up it started to rain, this meant the interview would have to be postponed due to the bad sound quality. I was sad that I was not going to witness the interview process but I was thankful that I got to witness the Legend in action. The rain became worse and that was our queue to go.

Day 2

Couldn’t sleep much, excited that I’d be going to view Zanele’s legendary work Somnyama Ngomnyama. I was the first to bath; my excitement could not be contained. We left the apartment after 9:30am, Uber was already waiting outside for us. As we were on our way to Stevenson Gallery in Braamfontein, I couldn’t be prouder to be in the same vehicle as our Zanele Muholi who hails from the same township I was born. As we walked inside Stevenson I was greeted by Somnyama Ngonyama, covering the entrance of the gallery. Incredible, I thought to myself smiling, in appreciation of umkhaya wami. Zanele greeted the staff & colleagues at the gallery. At the moment all I cared for was her work than introductions. I was in awe, walking through the gallery was liberating to see our own artist exhibiting such provocative work. I was alive with possibilities and inspired to do more push boundaries.

2016 Jan. 26 Wendy Khumalo 0481 sm proof

 

I was ready to take my rightful place by locking arms with Zanele on Faces and Phases, I’ve always been a fan of her work now I’d be participating in he most significant year a decade of Faces and Phases & 22 years of democracy. Being shot in the gallery was amazing, couldn’t have asked for a better location. Time was not on our side would have loved to spend more time at the gallery but we had another meeting/ lunch discussion in Pretoria at the US Embassy – Media’s Role in Mainstreaming LGBTI Rights in honor of United States Special Envoy for LGBTI Rights. Randy Berry. In my wildest dreams never did I ever think I’d sit with humans of such stature and discuss issues of the LGBTI community at the US Embassy nogal. Dignitaries have incredible respect for Muholi. They speak so highly of her with respect and admiration. I was thankful she invited me to this meeting. What an incredible experience and looking forward to many more. How can I forget, Zanele introduced me to the most vibrant human Thami Kotlolo who is the founder of the Feather Awards.

 

2016 Jan. 26 With Thobe Muholi Thami & Wendy

Catherine Hill-Herndon welcomed all the guests and Chad Wessen briefed the guests on the Lunch discussion proceedings. The discussion was robust and lunch was different, a three-course meal was served not your average lunch discussion. This is the Major League, Zanele suggested the discussion should be continued in a conference, with other important people present, Chad agreed.

We had another appointment we were rushing to back in Braamfontein with the Swedish Minister of Art but we had to make a quick stop to fetch Dumse. We then proceeded to Vela Café in Braamfontein, where the Swedish Minister and her dignitaries, Yawenda Omotoso (the author of Bom Boy) and Lerato from Stevenson gallery Art was the topic of the day. Walking in Zanele’s shoes is no joke, she looked fresh and still in the zone nothing would take the passion on her face away. When art or photography is the subject/ topic she speak with such passion and confidence. There is a reason and a purpose for every project she embarks on. When I arrived in Johannesburg a day earlier, I was only looking forward to two things the Somnyama Ngonyama exhibition and the meeting at the embassy but I walked away with such an incredible and educational experience and for that I am thankful.

 

Related link

 

2016 Jan. 25:  Creative Artists share knowledge on archiving

 

and

 

2014 Aug. 11:  PFLAG Workshop hosted by GALA and US Embassy

 

 

 

 

 

 

 

 

Posted in Articulation, As we are, Beautiful people, Beauty, Before US, Being conscientized, Black Lesbian, Black lesbian beauty, Black lesbian visibility, Bodies and histories, Butch identity, Captioned, Captured, Caring citizens, Celebration, Citizenship, Claiming, Collaborations, Collective, Commitment, Community Mobilizing, Community outreach, Community work, Confidence, Conversation, Crea(c)tive senses, Creating awareness, Creative activist, Creative Writing, Dedicated, Democracy, Documenting, Documenting our lives, Documenting our own lives, Emotional support, Empowerment, Excitement, Existence, Feather awards, Feelings, Friendships, From Durban to Johannesburg, Healing feeling, Heroes of our struggle, History, Inkanyiso media, Mainstream media, media, Media works, Rugby coach, SA mainstream media, Smile, Sportsperson, Thami Kotlolo, Uncategorized, Wendy Nelisiwe Khumalo | Tagged , , , | Leave a comment

2016 Feb. 4: Intwaso yase Market Photo Workshop

by Sicka ‘Shaz’ Mthunzi

 
Sharon Shaz Mthunzi sm_ Daveyton Johannesburg 2013
I grew each day and everyday and I’m growing through transitioning in different art forms. Viewing the world through the ‘EYE’ is a very interesting and very ‘eye opening’ to how the world functions. The ‘eye’ refers to a camera, a tool that I didn’t have any interest in, until I was introduced to photography. I never saw photography as an art form; I always thought that there was nothing fascinating about just shooting.

August 2015 I registered at Market Photo Workshop (MPW) for the Foundation Course (FC), which took 8 weeks. I thought to myself 8 weeks was nothing, little did I know that pressure and a pile of work waited for me. On the 28th of September I received a call from MPWs admin office asking me to come in the next day to get documents and info on when my classes where starting. The next day I got there and  was told my classes start the next day, and I thought to myself these people mean business and it was a wake up call that I must take this very serious and expect pressure.

The first day we had Orientation where we were introduced to every stuff member, rules and requirements of the school. Every member was very welcoming from the head of the school John Fleetwood, to the lady who cleans, I love and adore her and call her mamNthabiseng. There where 11 of us in class and I don’t know what happened to the 12th person since MPW takes 12 per course. For our classes we had my favorite visual literacy taught by Michelle Harris, my other favorite subject is Analog taught by Ilse van de Merwe, adobe Photoshop and bridge by Sanele Moyo, Professional practice with Natalie Payne, Technical practice with Michelle Loukidis and Mpho khwezi as our Analog trainer and assessment supporter.

We then had Mr Tswaledi whom we always went to, to get cameras that we hired from the school, which was a digital cannon 550D camera, a Nikon analog camera and a tripod, but we were not allowed to take both cameras home at the same time. MPW takes 6 FC classes a year, so when we started the fifth FC was about to finish and we were the last one for the year. Every class we attended we were asked “why are we here?”
My response was “my mentor Zanele Muholi is a photographer and I work with her writing and documenting for the Inkanyiso website, and I’m also an artist, so when going for shoots I will know how and where I want to be shot.” 


In Loukidis’s class (technical practice) we were taught the functions of the digital camera, how to work with different light and she also took us outside to shoot. With Moyo we got to learn how to use Adobe Photoshop and bridge, how to edit and manipulate images using Photoshop. Payne helped us with professional practice where we got tips about the industry and also writing our own CVs, biography and photographer’s statement. Michelle Harris taught us how to view the world in a different way, how to see beyond, create images and helped us build our confidence and communication skills.

Mpho Khwezi was assisted Ilse with analog and he also helped us with preparing for assignments. We did analog with Ilse, which is the old and more traditional part of photography using film and the dark room. We had seven assignments for the course and submitted every Monday. They were visual elements, exposure, home, hard and soft light analog, SA photographer, brochure that I hated and personal selection. During crits we would place our pictures on the wall and present them. Both Michelle’s were critiquing us and in our final crit. we had an extended person added who hasn’t seen our work. Crits were very important because you are told where you went wrong and also about your progress when you are resubmitting.

In looking at an image analysis is very important because you get to notice and understand everything about the image. Usually most people who don’t go to exhibitions, when they look an image they look at it for a few seconds and end up missing the little points that make up the whole image. Through learning image analysis I can look at an image for a long time like we used to see how this top class people do when they get to exhibitions. My experience at MPW was worthwhile and very inspirational and because of my mentor advising me to go, I now respect what photographers undergo. I am looking forward to carrying on with photography and have my own body of work, which I would exhibit in my township.

 

Related link

2014 Dec. 7:  My eight weeks at Market Photo Workshop doing FC

 

 

 

 

Posted in 'Sicka' Sharon Mthunzi, Activists Act, Being conscientized, being respected., Being seen, Black Lesbian musician, Black lesbian sangoma, Black lesbian visibility, Brave, Chance, Change, Claiming mainstream spaces, Dedicated, Dedication, Market Photo Workshop, Uncategorized | Tagged , , , , , , , , , , , , | 1 Comment

2016 Feb. 7: Second Infinity award for South Africa

by Lerato Dumse

It has been a good start to 2016 for Zanele Muholi, who is selected as an honouree for the 32nd annual Infinity Awards. The International Center of Photography (ICP) made the announcement beginning of February and the ceremony will be held in New York City on April 11, 2016.

The announcement comes a week before the acclaimed photographer is due to collect an Outstanding International Alumni Award from Ryerson University in Toronto, Canada. In 2010 Muholi graduated with a Master of Fine Arts in Documentary Media at the institution.

The award winning photographer, artist and activist from Umlazi, in Durban South Africa, has managed to build a name by documenting black members of her LGBTI community. It was her exhibition at the Brooklyn Museum that impressed the Infinity panel that selected the winner in the documentary and photojournalism category. Her solo exhibition titled Isibonelo/Evidence was mounted from May to November 2015 at the Elizabeth A. Sackler Center for Feminist Art.

Isibonelo/Evidence comprised of eighty-seven portraits produced by Muholi between 2007-2014 including her equally acclaimed award winning black and white portrait series Faces and Phases. The exhibition fused photos, videos and text by featuring same sex weddings and a timeline detailing the horrors of hate crime incidents, combined with personal testimonies.

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Congratulations for Muholi have been coming in from far and wide for this award, which is “widely considered the leading honour for excellence in the field.” Infinity awards are also ICP’s largest annual fundraiser, supporting all of its programs, including exhibitions, education, collections, and community outreach.

 

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Muholi is no stranger to the world of winning awards, she has won numerous awards including the Fine Prize for an emerging artist at the 2013 Carnegie International; a Prince Claus Award (2013); the Index on Censorship – Freedom of Expression art award (2013); and the Casa Africa award for best female photographer and a Fondation Blachère award at Les Rencontres de Bamako biennial of African photography (2009).

Her Faces and Phases series has shown at, among others, Documenta 13; the South African Pavilion at the 55th Venice Biennale; and the 29th São Paulo Biennale. She was shortlisted for the 2015 Deutsche Börse Photography Prize for her publication Faces and Phases: 2006-14 (Steidl/The Walther Collection).
Muholi is an Honorary Professor of the University of the Arts, Bremen.

Past recipients of the Infinity awards include Muholi’s mentor David Goldblatt, who also supported her financially to complete her MFA. As well as Berenice Abbott, Lynsey Addario, Richard Avedon, Henri Cartier-Bresson, Roy DeCarava, Elliott Erwitt, Harold Evans, Robert Frank, Adam Fuss, David Guttenfelder, Mishka Henner, André Kertész, Steven Klein, William Klein, Karl Lagerfeld, Annie Leibovitz, Helen Levitt, Mary Ellen Mark, Inez Van Lamsweerde and Vinoodh Matadin, Daidō Moriyama, Shirin Neshat, Gordon Parks, Sebastião Salgado, Malick Sidibé, Lorna Simpson, Mario Testino, and Ai Weiwei.

 

Full List of 2016 Recipients:

Lifetime Achievement: David Bailey
Art: Walid Raad
Artist’s Book: Matthews Connors, Fire in Cairo
OnlinePlatform and New Media: Jonathan Harris and Gregor Hochmuth for Network Effect
Documentary and photojournalism: Zanele Muholi
Critical

Writing and Research: Susan Schuppli

 

Related links

 

2013 Aug. 31:  Black lesbian visual activist wins Mbokodo award

 

and

 

South African artist wins in the US

Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, Uncategorized, We Are You, We Care, We Still Can with/out Resources, Writing is a Right | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

2016 Jan. 31 Best of Black Girls Only

Photo Album
by Lindeka Qampi/ Inkanyiso media
What: Black Girls Only
Where:  Women’s Jail, Braamfontein, Con Hill
When: 31.01.2016
Camera used: Canon 6d hand held

 

2016 Jan. 31 Panashe Chigumadzi_0379

 

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2016 Jan. 31 black girls only _0438

 

2016 Jan. 31 Black Girls Only 1_0446

 

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2016 Jan. 31 TK @ bgo _0436

 

 

About the photographer

 

2015 Sept. 12: ‘2015, the year of breaking silence’

 

 

 

 

Posted in Another Approach Is Possible, Archived memories, Creating awareness, Expression, Power of the Voice, South Africa, We Are You, We Care, We Still Can with/out Resources | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments